When hanged together, these stirrups display on one side of their footplate rims, in Latin, the name of their original owner, Jacob Helt, as well as their manufacture year 1694. Heraldic griffins, a common decorative motif on German equestrian material since the 16th century, adorn the top of the footplates.
Its pierced decoration is typical of the production of southeast Germany and Saxony in the 16th and 17th centuries. Two holes drilled on each side of the branches indicate that they were originally very likely enriched with pierced decorated plaques, probably made of another metal, screwed over the rather rough vegetal scrolls, creating a double-layer effect.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Overall
Overall
Overall
Overall
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Pair of Stirrups
Date:dated 1694
Culture:German, possibly Saxony
Medium:Iron alloy
Dimensions:42.50.458; H. 8 in. (20.3 cm); W. 5 1/4 in. (13.3 cm); D. 4 in. (10.2 cm); Wt. 1 lb. 8 oz. (680.4 g); 42.50.459; H. 8 in. (20.3 cm); W. 5 1/8 in. (13 cm); D. 4 1/4 in. (10.8 cm); Wt. 1 lb. 7.9 oz. (677.6 g)
Classification:Equestrian Equipment-Stirrups
Credit Line:Gift of Stephen V. Grancsay, 1942
Accession Number:42.50.458–459
Inscription: On one stirrup: "ANNO" and "HELT", on the other: "1694" and "IACOB" (Jacob Helt (probably the owner), year 1694)
Marking: At the back of the footplate rim and inside one of the branches: LS (?) (probably the maker's mark)
Clarence H. Mackay, Roslyn, NY (until d. 1938; his estate, sold through Seligmann & Co. to Grancsay); Stephen V. Grancsay, New York (by January 14, 1941–42; his gift to MMA).
Los Angeles. Los Angeles County Museum of Art. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," January 15–March 18, 1953, no. 47.
San Francisco. California Palace of the Legion of Honor, Fine Arts Museums of San Francisco. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," April 18–June 7, 1953, no. 47.
Pittsburgh. Department of Fine Arts, Carnegie Institute. "Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art," October 1953–April 1954, no. 47.
Louisville, Ky. Speed Art Museum. "A Loan Exhibition of Equestrian Equipment from the Metropolitan Museum of Art," May 4–July 3, 1955, no. 149.
Allentown. Allentown Art Museum. "Arms and Armor: A Loan Exhibition from the Collection of Stephen V. Grancsay: with Important Contributions by The Metropolitan Museum of Art, New York, and the John Woodman Higgins Armory, Worcester, Massachusetts," March 15–June 14, 1964, no. 27.
Zschille, Louis Moritz Richard, and Robert Forrer. Die Steigbügel in ihrer Formen–Entwicklung: Characterisirung und Datirung der Steigbügel unserer Culturvölker. Berlin: Paul Bette Verlag, 1896. pp. 13–14, pl. XIII, no. 4.
Grancsay, Stephen V. Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1953. p. 18, no. 47.
Grancsay, Stephen V. A Loan Exhibition of Equestrian Equipment from the Metropolitan Museum of Art: Catalogue. Louisville, Ky.: Speed Art Museum, 1955. no. 149, ill. (line drawing).
Allentown Art Museum, The Metropolitan Museum of Art, and John Woodman Higgins Armory. Arms and Armor: A Loan Exhibition from the Collection of Stephen V. Grancsay: with Important Contributions by the Metropolitan Museum of Art, New York, and the John Woodman Higgins Armory, Worcester, Massachusetts: March 15–June 14, 1964. Allentown, Pa.: Allentown Art Museum, March 15, 1964–June 14, 1964. no. 27.
Crossbow by Johann Gottfried Hänisch the Elder (German, Dresden 1696–1778)
dated 1742
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.