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Battle Scene with a Prisoner Being Bound, after Raphael

ca. 1823
Not on view
As a copyist, Delacroix looked repeatedly to the art of Italian Renaissance master Raphael, suggesting an enduring appreciation for elements of classicism. Here, Delacroix carefully copied an etching that reverses a pen-and-ink drawing by Raphael (ca. 1506–7; Ashmolean Museum, Oxford). Although executed on tracing paper, it is not a direct tracing; this copy is smaller than the print. Nevertheless, Delacroix meticulously replicated the lines of the etching in graphite in order to study the dynamic organization of bodies in the composition.

Artwork Details

Object Information
  • Title: Battle Scene with a Prisoner Being Bound, after Raphael
  • Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)
  • Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)
  • Date: ca. 1823
  • Medium: Graphite on tracing paper, laid down
  • Dimensions: Overall: 7 3/4 x 13 3/8 in. (19.7 x 34 cm)
  • Classification: Drawings
  • Credit Line: Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of George R. Goldner, 2013
  • Object Number: 2013.1135.2
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
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Studies of Horses, Eugène Delacroix French, Graphite and traces of brown ink on laid paper
Studies of Horses
Eugène Delacroix
A Bearded Man, Standing, and a Classical Head, Eugène Delacroix French, Pen and brown ink on tracing paper (mounted on heavy wove paper)
A Bearded Man, Standing, and a Classical Head
Eugène Delacroix
1815–63
Les Français peints par eux-mêmes encyclopédie morale du dix-neuvième siècle. Paris, L. Curmer, 1840-1842.
Eugène Delacroix
19th century
La Pietà, Eugène Delacroix French, Etching on chine collé; second state of two
La Pietà
Multiple artists/makers
1852
Studies of a Goat, Eugène Delacroix French, Graphite on wove paper
Studies of a Goat
Eugène Delacroix
1798–1863

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