The Races

Inscription: Recto, bottom center: Imp. Lemercier & Cie. Paris

Marking: Verso, stamped: l.r. [mark of collector N.A. Hazard (Lugt 1975)]

Nicolas-Auguste Hazard (French); Vendor: Maurice Gobin (French)

New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 14–July 20, 1997.

New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," October 20, 2008–January 11, 2009.

Moreau-Nélaton 85, Guérin 72 II/II, Harris 41 III/III, Moreau-Nélaton 85, M.72; Fisher 1985, no. 56

Etienne Moreau-Nélaton Manet graveur et lithographe. Paris, 1906, cat. no. 85.

Marcel Guérin L'Oeuvre gravé de Manet.. Paris, 1944, cat. no. 72.

Jean C. Harris Edouard Manet: Graphic Works, A Definitive Catalogue Raisonné. New York, 1970, cat. no. 41.

Colta Ives, The Metropolitan Museum of Art The Great Wave: The Influence of Japanese Woodcuts on French Prints. Ex. cat. New York, 1974, fig. no. 28, p. 32, ill.

Jay McKean Fisher, Detroit Institute of Arts, Berkeley Art Museum and Pacific Film Archive, University of California at Berkeley, Saint Louis Art Museum, Huntsville Museum of Art, Art Gallery of Ontario The Prints of Edouard Manet Exh. cat., International Exhibitions Foundation, Washington, D.C. International Exhibitions Foundation, Washington, D.C., 1985, p. 98, under no. 56 (as "standard edition...on chine close in size to the Bibliothèque Nationale proof").

Colta Ives "French Prints in the Era of Impressionism and Symbolism." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, New York, 1988 (Summer), pp. 8-9, ill.