Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
7 1/2 x 7 1/16in. (19 x 18cm)
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954
Not on view
This celebrated drawing depicts a young model dressed in armor and positioned as though he were on horseback, his right arm raised and holding the shaft of a spear in his gloved hand. The figure is supplemented at upper right by a study of a helmet and, at lower left, by a detail of the armor. Both secondary studies are drawn in a larger scale, allowing Carpaccio to explore them in great detail. The pictorial effects of the drawing are achieved through the chromatic contrast of the blue paper; the reflections on the armor and the boy’s face are achieved through using white gouache and shadows in a few parallel lines. The artist may have intended to use this study for a painting, though the figure differs from the series of canvases dedicated to the life of the saint that he painted for the Scuola di San Giorgio in Venice.
Regina Shoolman Slatkin
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," May 5, 1998–September 14, 1998.
Palazzo Grassi, Venice. "Renaissance Venice and the North: Crosscurrents in the Time of Bellini, Dürer, and Titian," September 5, 2000–January 9, 2000.
New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," July 15–September 29, 2014.
"Eighty-Fourth Annual Report of the Trustees for the Year 1953: Additions to the Collections." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 13, no. 1, New York, Summer 1954, p. 23.
Jan Lauts, Erica Millman, Marguerite Kay Carpaccio: Paintings and Drawings. Phaidon, London, 1962, pp. 273-74, no. 37, pl. 122.
Pietro Zampetti, Palazzo Ducale Vittore Carpaccio. Edizioni Alfieri, Venice, 1963, p. 295, no. 14.
Michelangelo Muraro I disegni di Vittore Carpaccio. Corpus Graphicorum, Florence, 1977, pp. 63-64, fig. 54.
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, pp. 56-57, no. 43.
Barbara Burn Metropolitan Children. The Metropolitan Museum of Art, New York, 1984, pp. 57, 118.
Irene Brückle "Blue-Colored Paper in Drawings." Drawing. vol. 15, no. 4, November-December 1993, p. 74, fig. 5.
Renaissance Venice and the North: Crosscurrents in the time of Bellini, Dürer and Titian. Exh. cat., Palazzo Grassi, Venice, Sept. 5, 1999-Jan. 9, 2000. Ed. by Bernard Aikema, and Beverly Louise Brown, Venice, 1999, pp. 314-15, no. 60.
Artist: Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice)Date: 1460–1525Medium: Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)Accession: 1998.14a, bOn view in:Not on view
Artist: Attributed to Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice)Date: 1493–1500Medium: Pen and gray ink, brush and gray wash, over faint traces of black chalkAccession: 2002.93On view in:Not on view
Artist: Vittore Carpaccio (Italian, Venice 1460/66?–1525/26 Venice)Date: ca. 1502–4Medium: Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joinsAccession: 2013.641On view in:Not on view