Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso)
Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)
Pen and brown ink
sheet: 6 15/16 x 6 5/8 in. (17.7 x 16.9 cm)
Rogers Fund, 1963
Not on view
Inscription: The old mount is annotated in graphite on recto: "Guercino/ from Wm. Young Ottley Coll.n/ from the Jonathan Richardson Coll.n." The verso is annotated as we can see in transparency: a letter.
Marking: Stamp of Jonathan Richardson, Jr. (Lugt 2179) on lower right recto. Initials "WYO" in elision of William Young Ottley (Lugt 2665), written in pen and brown ink, center of verso of old mount. No watemark visible: sheet glued on to an old mount.
Jonathan Richardson Jr. (British); William Young Ottley (British)
Jacob Bean, Lawrence Turčić 17th century Italian Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1979, p. 184, no. 239.
Carel van Tuyll van Serooskerken Guercino (1591-1666), Drawings from Dutch Collections. Exh. cat. 's-Gravenhage, 1990, p. 42, under no. 5 (related to to Teylers Museum drawing in preparation for the Louvre Raising of Lazarus).
William M. Griswold "Guercino." The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, n.s. vol. 48, no. 4, New York, Spring 1991, pp. 41-42, no. 35.
Piero Boccardo Genova e Guercino, Dipinti e disegni delle Civiche Collezioni. Genoa, 1992, p. 82, under no. 25.
Artist: After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna) Date: 17th centuryMedium: Pen and brown ink, brush and brown wash, over traces of black chalk, on cream paperAccession: 80.3.453On view in:Not on view
Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna) Date: ca. 1618–23Medium: Pen and brown ink, brush with gray and brown wash, over traces of lead point (?)Accession: 12.56.12On view in:Not on view