Draped Model

ca. 1865–67

Not on view

This drawing of a woman in classical robes likely was made in preparation for a fresco that Moore executed in 1866 at Claremont, a Georgian house near Salford, outside Manchester. Now lost, the painting was one of three overdoors in the octagonal hall and showed four women drawing water from a fountain. The model's pose, with a hand on her hip and the other at her chin, is one of waiting. The artist made numerous nude and draped studies for the commission; in the present sheet he focused on the model's voluminous translucent draperies. He used black and white chalk to capture shadows and highlights against the brown middle tone of the paper. Moore's decorative approach to classical subjects is characteristic of the Aesthetic Movement and influenced James McNeill Whistler, who began to make similar pastel studies on brown paper about this time.

Artwork Details

Title: Draped Model
Artist: Albert Joseph Moore (British, York 1841–1893 London)
Date: ca. 1865–67
Medium: Black and white chalk on brown paper
Dimensions: Sheet: 14 9/16 x 8 in. (37 x 20.3 cm)
Classification: Drawings
Credit Line: Harris Brisbane Dick Fund, 1917
Object Number: 17.97.6
Curatorial Department: Drawings and Prints

More Artwork

By Albert Joseph Moore

In the same medium

From the same time and place

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Drapery study for "A Venus", Albert Joseph Moore British, Black and white chalk on brown paper — Drapery study for "A Venus"
Albert Joseph Moore
ca. 1868

Drapery Study for "Battledore" (recto); Two Women (verso), Albert Joseph Moore British, Black conté crayon and white chalk on brown paper (recto); black chalk (verso) — Drapery Study for "Battledore" (recto); Two Women (verso)
Albert Joseph Moore
1868–70

The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite — The Lake of Zug
Joseph Mallord William Turner
1843

The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor) on green paper — The Entombment
Sir Edward Burne-Jones
1879

Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite — Loggia of the Ducal Palace, Venice
John Ruskin
1849–50

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