Purchase, Mr. and Mrs. Richard J. Bernhard Gift, 1972
Not on view
Degas undertook a series of landscape monotypes during a visit in October 1890 to the Burgundian estate of his friend, the artist Pierre-Georges Jeanniot. Over the course of the next two years, he made about fifty monotypes, a group of which he exhibited at the Durand-Ruel gallery in 1892. Although the artist called these views "imaginary landscapes," the present work is thought to reflect his experience traveling through Burgundy in a horse-drawn carriage. Using colored oil paints, overlaid with scumbled pastels, Degas produced a view of a mountainous landscape, partially obscured by mist, which verges on abstraction.
Signatures, Inscriptions, and Markings
Signature: Signed by the artist in red chalk, lower left: degas
Henry Wolf (American, born Alsace-Lorraine)(1963); Edgar Howard
Ny Carlsberg Glyptotek. "Edgar Degas: The Last Landscapes," June 28, 2006–August 27, 2006.
Columbus Museum of Art, Columbus, Ohio. "Edgar Degas: The Last Landscapes," October 13, 2006–January 21, 2007.
New York. Museum of Modern Art. "Edgar Degas: A Strange New Beauty," March 26–July 24, 2016.
Janis 285; Kendall 173; Lemoisne 1044
Colta Ives, Janet S. Byrne, Mary L. Myers, Suzanne Boorsch, Weston J. Naef, David W. Kiehl, The Metropolitan Museum of Art The Metropolitan Museum of Art: Notable Acquisitions, 1965-1975: Prints, Architecture and Ornament. New York, 1975, p. 193, ill.
Sue Welsh Reed, Eugenia Parry Janis, Barbara Stern Shapiro, David W. Kiehl, Colta Ives, Michael Mazur The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century. Ex. cat. The Metropolitan Museum of Art, New York, 1980, cat. no. 32, pp. 114-115, ill.
Richard Kendall Degas Landscapes. New Haven and London, 1993, fig. no. 173, p. 193, ill.