The Iron Forge between Dolgelli and Barmouth in Merioneth Shire, Plate 6 of XII Views in North Wales
Paul Sandby (British, baptized Nottingham 1731–1809 London)
Etching and aquatint printed in brown ink
sheet: 8 3/8 x 11 3/4 in. (21.3 x 29.8 cm)
Harris Brisbane Dick Fund, 1936
Not on view
Sandby was already an experienced watercolorist and etcher when he began tinkering with Jean-Baptiste Le Prince's recipe for applying tonal areas to etchings with resin powder. But, instead of distributing the powder dry, he dissolved it in "rectified spirits of wine" so that it could be brushed on an etching plate like an ink wash, a process for which he coined the term aquatint. This image image of an active iron forge belongs to a set of Welsh views, and the artist represents his subject raked by low sunlight, to cast the entrance wall facing us in deep shadow.
Peter Hughes "Paul Sandby and Sir Watkin Williams-Wynn." Burlington Magazine. vol. 114, July 1972, fig. no. 23, p. 464.
Leslie Parris Landscape in Britain, ca. 1750-1850. Exh. cat., Tate Gallery, London, Nov. 20, 1973-Feb. 3, 1974. 1973, British Museum impression, cat. no. 70, pp. 45, 47, ill.