The Sylmaris Collection, Gift of George Coe Graves, 1920
Not on view
The Entombment demonstrates the combination of firm rectilinear draftsmanship and evocative tone that Rembrandt achieved in his graphic work of the 1650s. The two states of the etching (see also 23.51.7) show Rembrandt's ability to dramatically transform a single image into two strikingly different works of art. Here Rembrandt used the traditional method of wiping the plate clean before printing. As a result, only the ink remaining in the lines cut into the copperplate transferred onto the paper. He created a sense of flickering light by modifying the density of the hatching.
George Coe Graves; Donor: George Coe Graves
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 9, 2006–April 6, 2006.
Hind 281; Bartsch 86-i; NH(Rembrandt).II.241.284 i
Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)Date: ca. 1650Medium: Pen and brown ink, brush and brown wash, on paper washed with brownAccession: 29.100.939On view in:Not on view