Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Etching, engraving, and drypoint; first of four states
Plate: 7 11/16 x 5 7/8 in. (19.5 x 14.9 cm) Sheet: 8 11/16 x 6 7/8 in. (22.1 x 17.5 cm)
The Sylmaris Collection, Gift of George Coe Graves, 1920
Not on view
Rembrandt portrayed the renowned gold- and silversmith Jan Lutma (ca. 1584–1669) surrounded by the tools of his trade and his works. The object he holds in his hand may be the stem of a candlestick; a drinking bowl rests on the table beside him, behind a hammer and a vessel containing metal punches. The source of light in the room emanates from a point behind the sitter, a device that allowed Rembrandt to drape most of the figure in shadow, illuminating mainly his face. In the following state of the print, the artist defined that blank wall as a window.
Signatures, Inscriptions, and Markings
Marking: Stamped in back ink on recto upper right: collector's mark of Sir Edward Astley (Lugt 2775); inscribed on veso lower left: collector's mark of Chevalier I. J. de Claussin (Lugt 485)
Sir Edward Astley (British); Chevalier Ignace Joseph de Claussin (French); George Coe Graves; Donor: George Coe Graves
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," September 17, 2007–January 6, 2008.
The Metropolitan Museum of Art. "The Power of Prints: The Legacy of William M. Ivins and A. Hyatt Mayor," January 26, 2016–May 22, 2016.
Hind 290; Bartsch 276; New Hollstein (Rembrandt).II.261.293 i
Adam von Bartsch Le Peintre graveur. Vienna, 1803, cat. no. 276.
Arthur M. Hind A Catalogue of Rembrandt's Etchings. London, 1923, cat. no. 290.
F. W. H. Hollstein Dutch & Flemish Etchings, Engravings, and Woodcuts, 1450-1700. 2008, cat. no. 293, p. 261, ill.
Artist:Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date:ca. 1650Medium:Pen and brown ink, brush and brown wash, on paper washed with brownAccession:29.100.939On view in:Not on view