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Théâtre Italien (Gioacchino Rossini, 1792–1868)

1821
Not on view
The reverse side of this caricature of the Italian composer Rossini is covered in red chalk, providing evidence of its transfer to the lithographic stone. The commentary that accompanied the print in the French daily "Le Miroir" poked fun at Delacroix for publishing it anonymously, while complimenting his drawing as one of "uncommon boldness" that was "biting and witty." Although he did not sign his satirical prints, they demonstrate Delacroix’s early objection to the dominance of the neoclassical aesthetic. His later work extended the same protest stylistically.

Artwork Details

Object Information
  • Title: Théâtre Italien (Gioacchino Rossini, 1792–1868)
  • Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)
  • Date: 1821
  • Medium: Graphite with brush and brown wash; red chalk applied to verso for image transfer
  • Dimensions: sheet: 10 1/2 x 7 1/2 in. (26.6 x 19 cm)
  • Classification: Drawings
  • Credit Line: Purchase, Karen B. Cohen Gift, 2004
  • Object Number: 2004.197
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
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Studies of Horses, Eugène Delacroix French, Graphite and traces of brown ink on laid paper
Studies of Horses
Eugène Delacroix
A Bearded Man, Standing, and a Classical Head, Eugène Delacroix French, Pen and brown ink on tracing paper (mounted on heavy wove paper)
A Bearded Man, Standing, and a Classical Head
Eugène Delacroix
1815–63
Les Français peints par eux-mêmes encyclopédie morale du dix-neuvième siècle. Paris, L. Curmer, 1840-1842.
Eugène Delacroix
19th century
La Pietà, Eugène Delacroix French, Etching on chine collé; second state of two
La Pietà
Multiple artists/makers
1852
Studies of a Goat, Eugène Delacroix French, Graphite on wove paper
Studies of a Goat
Eugène Delacroix
1798–1863

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