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Licenza, near Rome: Horace's Villa

ca. 1828–29
Not on view
After a decade in China and India, Havell returned to England in 1826, visiting Italy two years later with the painter Thomas Uwins. The present drawing is one of two known works made during that sojourn (the other is "Coast Scene, Amalfi," Victoria and Albert Museum). Horace's farm in the Sabine Hills, about thirty miles east of Rome, is an iconic site that influenced later country retreats from Stourhead, Wiltshire to Thoreau's cottage at Walden Pond, and Havell's view takes in the slope of Colle Rotondo from the Licenza River, where the famous villa once stood. A range of watercolor techniques have been used, with reserved paper forming the cumulus clouds, scratching applied to indicate ripples in the water, and touches of gouche for highlights. A barefoot goatherd and his extended flock accentuate the contours of the land, and create a sense of movement.

Artwork Details

Object Information
  • Title: Licenza, near Rome: Horace's Villa
  • Artist: William Havell (British, Reading 1782–1857 London)
  • Date: ca. 1828–29
  • Medium: Watercolor and gouache (bodycolor) over graphite
  • Dimensions: sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm)
  • Classification: Drawings
  • Credit Line: Gift of Alexander B.V. Johnson and Roberta J.M. Olson, in memory of E. Dudley H. Johnson and Laurie Vance Johnson, 2004
  • Object Number: 2004.489.1
  • Curatorial Department: Drawings and Prints
More Artwork
Woodcutters at Park Place, Henley, the river Thames beyond, William Havell  British, Graphite, watercolor and gouache (bodycolor) with gum arabic and scratching out
William Havell
ca. 1826
On the Wharfe, Bolton Abbey, William Callow  British, Watercolor
William Callow
September 30, 1858
The Lake of Zug, Joseph Mallord William Turner  British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
Joseph Mallord William Turner
1843
Stroh Violin, George Evans & Co.  English, Mahogany and aluminum, British
George Evans & Co.
first quarter 20th century
Sabrina, Samuel Palmer  British, Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic
Samuel Palmer
1856

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