Ichikawa Ebizō IV as Takemura Sadanojō in the Play Koinyōbō Somewake Tazuna
In this portrait, one of Sharaku's most famous works, Ebizō Is acting the part of a samurai warrior of tremendous integrity at a moment of insufferable moral conflict. Indeed, in the succeeding moment he will commit seppuku, or suicide by disembowelment, to preserve his honor. Ebizō's realization of his inescapable fate is apparent in his hands, which are clenched with enormous tension, while his eyes seem to peer out of a face devastated by the pain of his fatal dilemma. Sharaku has arranged the drapery folds to amplify the anguish expressed by the hands and orchestrate the transition between the two focal points of the composition—the hands and eyes.
In the late eighteenth century, this actor was the fourth holder of the name "Ichikawa Danjūrō," the most prestigious position in the world of Kabuki. Since he preferred his personal name, "Ebizō" was inscribed by brush on the upper right corner of this portrait, the only such inscription among extant impressions of this print.
In the late eighteenth century, this actor was the fourth holder of the name "Ichikawa Danjūrō," the most prestigious position in the world of Kabuki. Since he preferred his personal name, "Ebizō" was inscribed by brush on the upper right corner of this portrait, the only such inscription among extant impressions of this print.
Artwork Details
- 東洲斎写楽画 「市川鰕蔵」竹村定之進 『恋女房染分手綱』
- Title: Ichikawa Ebizō IV as Takemura Sadanojō in the Play Koinyōbō Somewake Tazuna
- Artist: Tōshūsai Sharaku (Japanese, active 1794–95)
- Period: Edo period (1615–1868)
- Date: 1794
- Culture: Japan
- Medium: Woodblock print; ink, color, white mica on paper
- Dimensions: 14 7/16 x 9 1/3 in. (36.7 x 23.7 cm)
- Classification: Prints
- Credit Line: The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
- Object Number: JP2650
- Curatorial Department: Asian Art
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Tōshūsai Sharaku
5th month, 1794
Tōshūsai Sharaku
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Tōshūsai Sharaku
Tōshūsai Sharaku
Tōshūsai Sharaku
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