The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man, Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853 Copenhagen), Graphite, brush and grey ink, grey washes; verso: graphite. Framing line in pen and black ink

The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man

Artist:
Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853 Copenhagen)
Date:
1809
Medium:
Graphite, brush and grey ink, grey washes; verso: graphite. Framing line in pen and black ink
Dimensions:
sheet: 13 1/4 x 18 3/16 in. (33.7 x 46.2 cm)
Classification:
Drawings
Credit Line:
Rogers Fund, 2007
Accession Number:
2007.256
Not on view
This early drawing by the "father of Danish painting" prefigures in many ways the interests that were to occupy Christoffer Wilhelm Eckersberg in his maturity: landscape and topography, marine painting, perspectival drawing (an obsession of his, here noticeable in the exact depiction of the slightly varying positions of the cannons), the almost mathematical principles underlying his masterful compositions, and a pure and elegant drawing style akin to that of his future teacher, Jacques-Louis David. In an almost inconspicuous way, it is also a depiction of the so-called Gunboat War (1807–14), a naval conflict between Denmark and Norway on one side and the British empire on the other. The cannons in the middle ground and the British ships in the distance, drawn with an admirable attention to detail, undoubtedly refer to this important moment in Danish history. The drawing, which is fully signed and dated, must have been conceived as an independent work. A preparatory drawing for the left portion of the composition, also dated 1809 and in the same technique but more loosely drawn, is in the Bymuseum, Copenhagen. On the verso of the Metropolitan's sheet is a sketch in graphite of a standing man.
Signature: Outside the framing line, at lower right, signed and dated "Eckersberg. 1809." in pen and black ink

Inscription: Below the signature, inscribed "854" in graphite, (18th- or 19th-century handwriting). Verso: at lower right, inscribed "67" in pen and brown ink (19th-century handwriting)
Private Collection, Denmark(according to Thomas le Claire); Vendor: Thomas le Claire Kunsthandel, Hamburg
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," October 5, 2009–January 10, 2010.

Le Claire Kunst Christoffer Wilhelm Eckersberg 1783 Blåkrog - Copenhagen 1853: Some Early Works : Recent Acquisitions. Dealer exh. cat. Thomas le Claire Kunsthandel, Hamburg, 2007, ill.

Stijn Alsteens, Nadine Orenstein, Perrin Stein "Recent Acquisitions, A Selection: 2007-2008." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 66, no. 2, Fall 2008, p.32 (entry written by Stijn Alsteens), ill.