Preparatory Study for a Portrait of Man Singh and His Harem
India (Rajasthan, Jodhpur)
Ink and opaque watercolor on paper, pricked for transfer
14 1/8 x 22 in. (35.9 x 55.9 cm)
Fletcher Fund, 1934
Not on view
Rajput rulers generally married women from other royal families in order to forge political alliances. A powerful raja was, in turn, a sought-after husband, and there was no limit to the number of women he could marry. Man Singh's large female following shown in this sketch is certainly as much an expression of his practical power as it is a romantic conceit, flattering the prince by emphasizing his sexual appeal.
The drawing appears to have been sketched quickly and conveys something of the breathless enjoyment of the romp in the spontaneity of its conception. The artist has marked each form in the composition with the color he would like his assistant to apply. The paper has been pricked to allow the image to be transferred to another sheet, presumably to make a finished painting of the subject.
New York. The Metropolitan Museum of Art. "Mughal Influence in Rajasthani Painting," 2001.
The Metropolitan Museum of Art. "Drawings from the Courts of North India: Sixteenth to Nineteenth Century," 2002.
New York. The Metropolitan Museum of Art. "Pursuits at the Hindu Courts," 2002–2003.
New York. The Metropolitan Museum of Art. "Painting in Rajasthan, 1650–1850," February 15, 2005–July 3, 2005.
New York. The Metropolitan Museum of Art. "Painting in Rajasthan," 2007.