In this celebrated scene vividly described in the Bhagavata Purana, Krishna battles Kaliya, a hundred-headed serpent (naga) who was poisoning the river Yamuna. At first, Krishna was ensnared in the demon’s mighty coils, but he sprang free by summoning the power of the universe and trapping the snake beneath his foot. The snake submitted to Krishna’s supreme powers and the river was purified. Kaliya’s wives, seen here with serpent bodies, pleaded with Krishna to show mercy to their husband, which he granted. The dramatic composition foregrounds the beauty and power of Krishna to restore order in the world of men.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series
Artist:First generation after Manaku and Nainsukh
Date:ca. 1785
Culture:Northern India, Garwhal, Himachal Pradesh
Medium:Opaque watercolor and ink on paper
Dimensions:8 x 10 1/2 in. (20.3 x 26.7 cm)
Classification:Paintings
Credit Line:Rogers Fund, 1927
Accession Number:27.37
Inscription: On back in black ink: "No. 1 Krishna hunting at Ayodha. below a signature(?) R. Raj(?); near bottom of leaf".
Marking: There appears to be an effaced, square seal.
[ Ananda K. Coomaraswamy , Boston, until 1927; sold to MMA]
New York. Asia House Gallery. "Rajput Painting," November 29, 1960–January 30, 1961.
Rochester Memorial Art Gallery. "The Art of India," April 7, 1961–April 30, 1961.
Durham. Nasher Museum of Art at Duke University. "The Art of India and Pakistan," February 20, 1985–April 20, 1985.
New York. The Metropolitan Museum of Art. "Painting in the Punjab Hills," 1999–2000.
New York. The Metropolitan Museum of Art. "Gods and Demons," 2000–2001.
New York. The Metropolitan Museum of Art. "Gods and Demons," 2002.
New York. The Metropolitan Museum of Art. "Paintings in the Punjab Hills," 2003.
New York. The Metropolitan Museum of Art. "Krishna: Mythology and Worship," February 9–May 9, 2004.
New York. The Metropolitan Museum of Art. "Gods and Demons," November 14, 2006–March 4, 2007.
New York. The Metropolitan Museum of Art. "Painting in the Punjab Hills," November 20, 2007–March 16, 2008.
Nashville,. Frist Center for the Visual Arts. "Vishnu: India's Blue-Skinned Savior," February 25, 2011–May 29, 2011.
New York,. Brooklyn Museum. "Vishnu: India's Blue-Skinned Savior," June 24, 2011–August 18, 2011.
New York. The Metropolitan Museum of Art. "Wonder of the Age: Master Painters of India, 1100–1900," September 26, 2011–January 8, 2012.
New York. The Metropolitan Museum of Art. "Masterpieces of Hindu Court Painting," July 17–September 8, 2013.
New York. The Metropolitan Museum of Art. "Encountering Vishnu: The Lion Avatar in Indian Temple Drama," December 19, 2015–June 5, 2016.
Translated by Coomaraswamy, Ananda K. Rajput Painting: Being an account of the Hindu paintings of Rajasthan and the Punjab Himalayas of the 16th–19th centuries... Translated by Coomaraswamy, Ananda K.. Vol. 2 vols., New York: H. Milford, Oxford University Press, 1916, pl. 53.
Coomaraswamy, Ananda K. History of Indian and Indonesian Art. London: E. Goldston, 1927, p. 131, cat. no. 268, pl. 88.
Dimand, M. S. A Handbook of Mohammedan Decorative Arts. New York: The Metropolitan Museum of Art, 1930, p. 65, fig. 28.
Dimand, M. S. A Handbook of Mohammedan Decorative Arts. New York: The Metropolitan Museum of Art, 1958, p. 68.
Dimand, M. S. Indian Miniature Paintings. The Folio art books. New York: Crown Publishers, [1967], p. 29, pl. 10.
Zimmer, Heinrich. The Art of Indian Asia: Its Mythology and Transformations. Edited by Joseph Campbell. 2nd ed., Princeton, N.J.: Princeton University Press, 1983, pl. C 10.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.