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Enthroned Vishnu

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
This monumental sculpture — the largest in the Museum’s South Asian collection — is a rare example of the art of the Pandya dynasty, which, along with the Pallava dynasty, initiated the first great phase of temple building in South India. Vishnu sits on a lion throne in the relaxed, regal posture of lalitasana. His role in Hinduism is to restore order to the human world and to combat evils that threaten the stability of the universe. He originally held a conch (used as a battle trumpet) in his upper left hand and a war discus in his upper right, and his lower right hand was raised in abhaya-mudra.

Artwork Details

Object Information
  • Title: Enthroned Vishnu
  • Period: Pandyan period (early 4th–13th century)
  • Date: second half of the 8th–early 9th century
  • Culture: India
  • Medium: Granulite
  • Dimensions: H. 9 ft. 9 in. (296.8 cm)
  • Classification: Sculpture
  • Credit Line: Purchase, The Charles Engelhard Foundation Gift, in memory of Charles Engelhard, 1984
  • Object Number: 1984.296
  • Curatorial Department: Asian Art

Audio

Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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