ビシュヌ神像

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
このどっしりとした大規模彫刻は、メトロポリタン美術館の南アジア美術コレクション最大のものであり、パーンディヤ朝の美術品として貴重な作品です。パーンディヤ朝は、パッラヴァ朝と並んで南インドで初めて大規模な寺院建築を行った王朝です。ヴィシュヌ神は威厳がありながらもくつろいだラリターサナというヨガの姿勢で、獅子の彫刻が施された王座に座っています。ヒンズー教におけるヴィシュヌ神の役割は、人間の世界に秩序を回復させ、森羅万象の安定を脅かす悪と戦うことです。当初は左上の手に戦いで吹き鳴らすホラ貝を持ち、右上の手に円盤、そして右下の手はアバヤ・ムドラーの手印を示していました。

Artwork Details

Object Information
  • 題: ビシュヌ神像
  • 時代: パーンディヤ朝
  • 月日: 8世紀後半–9世紀初頭
  • 地理: インド、タミル・ナドゥ
  • 手法: 花崗岩
  • 寸法: 高さ2.97 m
  • 提供者: 購入、チャールズ・エンゲルハードを追悼し、チャールズ・エンゲルハード財団より助成、1984年
  • 受け入れ番号: 1984.296
  • Curatorial Department: Asian Art

Audio

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Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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