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Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

1814–15 (published 1863)
Not on view
In the present sheet and the one that follows (plate 80), Goya divided a single scene into two separate moments. Here we see the burial of a young woman, a representation of Truth, surrounded by different figures. In its companion print, the half-buried figure opens her eyes—to the bystanders’ incredulity and anger—and, in a burst of light, comes to life. While indicative of Goya’s hopes for overthrowing absolutism (the supreme autocratic authority of the king), the pair of prints might also point to his skepticism about Spain’s political future.

Artwork Details

Object Information
  • Title: Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)
  • Series/Portfolio: The Disasters of War
  • Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
  • Date: 1814–15 (published 1863)
  • Medium: Etching and burnisher
  • Dimensions: Plate: 6 13/16 × 8 9/16 in. (17.3 × 21.8 cm)
    Sheet: 9 7/8 × 13 1/2 in. (25.1 × 34.3 cm)
  • Classification: Prints
  • Credit Line: Purchase, Jacob H. Schiff Bequest, 1922
  • Object Number: 22.60.25(79)
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher
Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

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