Holy Island Cathedral, part III, plate 11 from "Liber Studiorum"

Designed and etched by Joseph Mallord William Turner British
 Engraved and published by Charles Turner British

Not on view

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe the round-arched Norman (Romanesqe) arcades of Lindisfarne priory in Northumberland, with a small figure near a distant pillar establishing the scale. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.

Holy Island Cathedral, part III, plate 11 from "Liber Studiorum", Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Etching and mezzotint; first state of four

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