Goddess and Attendants

1st century B.C.–1st century A.D.
India (West Bengal,Chandraketugarh)
H. 10 1/2 in. (26.7 cm); W. 7 7/8 in. (20 cm)
Credit Line:
Purchase, Florence and Herbert Irving Gift, 1990
Accession Number:
On view at The Met Fifth Avenue in Gallery 234
Considerable numbers of such molded plaques have beenexcavated at the ancient urban site of Chandraketugarh, in Bengal, suggesting that they served as icons for personal devotion in households or were placed at outdoor shrines. All are dominated by a hieratically enlarged central female figure whose precise identity is unknown to us. In this early phase of image worship in India, the goddess routinely appears with weapons projecting from her headdress, a form later associated with Durga. She is naked, apart from heavy jewelry and a massive hip belt. The honorific umbrella suggests she is a deity, as does the lowered hand gesture denoting the granting of boons.
#7903. Goddess and Attendants
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[ John Siudmak , London, until 1990, sold to MMA]
New York. The Metropolitan Museum of Art. "Mother India: The Goddess in Indian Painting," June 29, 2011–November 27, 2011.