Embroidered Patchwork Panel
This patchwork panel comprises various silk textiles, mostly satins and damasks, exquisitely embroidered with the motifs of flowers, fruit, and the occasional butterfly in a technique called needle looping. Worked in silk over gilt paper, the technique allows the luminous gold to show where loops are intentionally skipped. The patches in this Chinese example seem to have been constructed and embroidered as self-contained units that were stitched together to form a larger panel. By contrast, Korean patchwork cloths are usually fashioned from fragments of unadorned, rather than embroidered fabrics, though there are non-patchwork bojagi fashioned from a single cloth with embroidered decoration.
This textile was probably used in a Buddhist context but its precise function is unknown. A comparable example, traditionally associated with the Chinese monk Wuxue Zuyuan (1226–1286), resides in the collection of the Buddhist temple Engakuji in Kamakura, Japan.
This textile was probably used in a Buddhist context but its precise function is unknown. A comparable example, traditionally associated with the Chinese monk Wuxue Zuyuan (1226–1286), resides in the collection of the Buddhist temple Engakuji in Kamakura, Japan.
Artwork Details
- Title: Embroidered Patchwork Panel
- Period: Late Yuan (1271–1368)–early Ming (1368–1644) dynasty
- Date: ca. 14th century
- Culture: China
- Medium: Silk needle-loop embroidery over gilt paper on simple gauze silk, silk damask, silk satin, and plain weave silk
- Dimensions: Overall: 58 7/8 x 25 1/4 in. (149.5 x 64.1 cm)
- Classification: Textiles-Embroidered
- Credit Line: Purchase, The Vincent Astor Foundation Gift, 1997
- Object Number: 1997.380
- Curatorial Department: Asian Art
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