Ceremonial mandalas were used in later forms of Buddhism, including Esoteric Buddhism, which flourished in Tibet from the tenth century and was influential at the Chinese court after the fourteenth. This base once supported a three-dimensional mandala that probably comprised small sculptures, models of temples and stupas, or colored sands. The decoration combines lotus flowers (Buddhist symbols of purity) at the top with the Eight Buddhist Treasures at the sides.
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明早期 掐絲琺瑯壇城座
Title:Base for a mandala
Period:Ming dynasty (1368–1644)
Date:first half 15th century
Culture:China
Medium:Cloisonné enamel
Dimensions:H. 3 in. (7.6 cm); Diam. 13 1/2 in. (34.3 cm)
Classification:Cloisonné
Credit Line:Purchase, Florence and Herbert Irving Gift, 1992
Accession Number:1992.331
[ David Tremayne Ltd. , London, until 1992; sold to MMA]
New York. The Metropolitan Museum of Art. "Defining Yongle, Imperial Art in Early Fifteenth-Century China," April 1–July 10, 2005.
New York. The Metropolitan Museum of Art. "The "Hundred Antiques"," February 18–October 31, 2006.
New York. Bard Graduate Center: Decorative Arts, Design History, Material Culture. "Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties," January 25, 2011–April 17, 2011.
New York. The Metropolitan Museum of Art. "Red and Black: Chinese Lacquer, 13th–16th Century," September 7, 2011–June 10, 2012.
New York. The Metropolitan Museum of Art. "Masters and Masterpieces: Chinese Art from the Florence and Herbert Irving Collection," January 30, 2021–June 5, 2022.
New York. The Metropolitan Museum of Art. "Embracing Color: Enamel in Chinese Decorative Arts, 1300–1900," July 2, 2022–February 16, 2025.
Watt, James C. Y., and Denise Patry Leidy. Defining Yongle: Imperial Art in Early Fifteenth-Century China. Exh. cat. New York: The Metropolitan Museum of Art, 2005, p. 39, pl. 9.
Quette, Beatrice, ed. Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties. Exh. cat. New York: Bard Graduate Center, 2011, pp. 67, 239, cat. no. 29, fig. 4.6.
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