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Morning, An Overcast Day, Rouen

1896
On view at The Met Fifth Avenue in Gallery 820
While visiting Rouen in spring and fall 1896, Pissarro wrote of his interest in the "motif of the iron bridge on a rainy day, with much traffic, carriages, pedestrians, workers on the quays, boats, smoke, mist in the distance, the whole scene fraught with animation and life." The present canvas is one of several views of the Boieldieu Bridge, or Grand Pont, that Pissarro painted from a room in the Hôtel d'Angleterre. Its title, Matin, Temps Gris, Rouen (Morning, An Overcast Day, Rouen), is thought to be the artist’s own.

Artwork Details

Object Information
  • Title: Morning, An Overcast Day, Rouen
  • Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)
  • Date: 1896
  • Medium: Oil on canvas
  • Dimensions: 21 3/8 x 25 5/8 in. (54.3 x 65.1 cm)
  • Classification: Paintings
  • Credit Line: Bequest of Grégoire Tarnopol, 1979, and Gift of Alexander Tarnopol, 1980
  • Object Number: 1980.21.1
  • Curatorial Department: European Paintings

More Artwork

More Artwork
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The Maid at the Market, Camille Pissarro French, Etching and drypoint on china paper; second state of four
The Maid at the Market
Camille Pissarro
1888
The Cottage, Camille Pissarro French, Aquatint and drypoint on heavy wove paper; seventh state of seven
The Cottage
Camille Pissarro
1879
Goose Girl, Camille Pissarro French, Etching and drypoint on china paper; third state of three
Goose Girl
Camille Pissarro
1888
Chemin sous bois à Pontoise, Camille Pissarro French, Aquatint and etching
Chemin sous bois à Pontoise
Camille Pissarro
1879
Cows in the Fields of Éragny, near Gisors, Camille Pissarro French, Drypoint on laid paper; first state of two
Cows in the Fields of Éragny, near Gisors
Camille Pissarro
1888

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