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Flora

ca. 1654
Not on view
Unlike many of his ambitious contemporaries, Rembrandt never traveled to Italy. Nonetheless, Italian art had a profound effect on him. In this depiction of the Roman goddess of spring, he responded to the sixteenth-century Venetian master Titian in particular. Still, the somber coloration and rough paint handling make this work unmistakably Rembrandt’s own, and the goddess may be based in part on a portrait of his late wife, Saskia, who had been the inspiration for many of his paintings.

Artwork Details

Object Information
  • Title: Flora
  • Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
  • Date: ca. 1654
  • Medium: Oil on canvas
  • Dimensions: 39 3/8 x 36 1/8 in. (100 x 91.8 cm)
  • Classification: Paintings
  • Credit Line: Gift of Archer M. Huntington, in memory of his father, Collis Potter Huntington, 1926
  • Object Number: 26.101.10
  • Curatorial Department: European Paintings

More Artwork

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Abraham Casting out Hagar and Ishmael, Rembrandt (Rembrandt van Rijn) Dutch, Etching with touches of drypoint
Abraham Casting out Hagar and Ishmael
Rembrandt (Rembrandt van Rijn)
1637
St. Jerome Reading, Rembrandt (Rembrandt van Rijn) Dutch, Etching
St. Jerome Reading
Rembrandt (Rembrandt van Rijn)
1634
Return of the Prodigal Son, Rembrandt (Rembrandt van Rijn) Dutch, Etching, pen and ink
Return of the Prodigal Son
Rembrandt (Rembrandt van Rijn)
1620–69
St. Jerome in Prayer, Rembrandt (Rembrandt van Rijn) Dutch, Etching
St. Jerome in Prayer
Rembrandt (Rembrandt van Rijn)
1635
Portrait of Lieven Willemsz van Coppenol, Writing Master (the larger plate), Rembrandt (Rembrandt van Rijn) Dutch, Etching and drypoint; fourth state
Portrait of Lieven Willemsz van Coppenol, Writing Master (the larger plate)
Rembrandt (Rembrandt van Rijn)
1658

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