The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)

1888
On view at The Met Fifth Avenue in Gallery 821
Hoping to recapture the success he had achieved with Madame Georges Charpentier and Her Children (07.122) at the Salon of 1879, Renoir sought to paint the daughters of his friend Catulle Mendès. In addition to the girls’ manifest charm, he undoubtedly counted on the notoriety of their illustrious parents to gain attention: their father was a Symbolist poet and publisher, and their mother was the virtuoso pianist Augusta Holmès. Renoir completed the commission in a matter of weeks and immediately exhibited the large canvas in May 1888, but the response to his new manner of painting, with its intense hues and schematized faces, was unenthusiastic.

Artwork Details

Object Information
  • Title: The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)
  • Artist: Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer)
  • Date: 1888
  • Medium: Oil on canvas
  • Dimensions: 63 3/4 x 51 1/8 in. (161.9 x 129.9 cm)
  • Classification: Paintings
  • Credit Line: The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1998, Bequest of Walter H. Annenberg, 2002
  • Object Number: 1998.325.3
  • Curatorial Department: European Paintings

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Cover Image for 6364. The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)

6364. The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)

Gallery 821

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Renoir undertook this monumental canvas as a means of re-asserting his prowess as a society portraitist. The sitters are the daughters of Catulle Mendès, a celebrated poet and an important literary figure of Belle-Epoque Paris. When the picture was shown, it was coolly received, and it failed to provoke the flood of commissions that Renoir was hoping for.

The firm draftsmanship and solid, almost wooden modeling you see in this picture had become hallmarks of Renoir's manner in the 1880s. At the same time, this is one of the artist's most daringly colored works. Shimmering streaks of blue and violet highlight the girls' white dresses, and pockets of glowing vermilion are scattered throughout the scene. Such bold effects were motivated by Renoir's growing concern with creating rich and complex tonal harmonies that would subsequently unify his paintings from a purely decorative standpoint.

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