元/明 佚名 舊傳趙雍 倣盛懋 蘇軾後赤壁賦圖 扇 Illustration of Su Shi's "Second Ode on the Red Cliff"
In the style of Sheng Mou (Chinese, active ca. 1310–1360)
Ming dynasty (1368–1644)
late 14th–early 15th century
Fan mounted as an album leaf; ink and color on silk
Image: 12 3/8 x 12 3/8 in. (31.4 x 31.4 cm)
John Stewart Kennedy Fund, 1913
Not on view
The subject and style of this fan painting exemplify late Yuan scholarly taste. The picture illustrates the celebrated "Second Ode on the Red Cliff" by the Northern Song scholar-artist Su Shi (1036–1101), in which a poet dreams that a crane he saw during an outing was a Daoist immortal in disguise. The rough brush idiom is based on the traditions of Dong Yuan (act. ca. 940–75) and Juran (act. ca. 960–95), but the patterned texture strokes, moss dots, and brisk rhythmic arcs of the water reeds recall the fourteenth-century master Sheng Mou.
Inscription: No artist’s inscription, signature, or seal
Unidentified artist, 1 column in standard script, undated:
John C. Ferguson , until 1913; sold to MMA]
New York. China Institute in America. "Album Leaves from the Song and Yuan Dynasties," March 26, 1970–May 30, 1970.
New York. The Metropolitan Museum of Art. "The World of Scholars' Rocks: Gardens, Studios, and Paintings," February 1, 2000–August 20, 2000.
New York. The Metropolitan Museum of Art. "Arts of the Ming Dynasty: China's Age of Brilliance," January 23, 2009–September 13, 2009.
New York. The Metropolitan Museum of Art. "The Yuan Revolution: Art and Dynastic Change," August 21, 2010–January 9, 2011.
New York. The Metropolitan Museum of Art. "Streams and Mountains without End: Landscape Traditions of China," August 26, 2017–January 6, 2019.