Overall with mounting (each): 107 1/4 × 27 in. (272.4 × 68.6 cm)
From the P. Y. and Kinmay W. Tang Family Collection, Gift of Oscar L. Tang, 1990
Not on view
Zheng Xie passed the civil-service examination in 1736 and was appointed as magistrate in north China. Sympathetic with the plight of the people then in the throes of starvation, Zheng enforced extreme measures to improve their situation that met with resistance from the wealthier citizens in the area. His disillusionment with bureaucratic ethics, his disintegrating health, and his reputation tainted by scandal forced Zheng into early retirement. He settled in Yangzhou, then a prosperous community supportive of artists, where he became known as one of the Eight Eccentrics.
This monumental four-panel painting depicts a grove of bamboo growing on a mountainside. The shallow pictorial space is defined by the placement of the stalks, which jut into view from the bottom of the composition, climb up the paper as if ascending a slope, and extend well beyond the top of the picture. It is further defined by the dramatic use of graded ink washes—from jet black to pale gray—that suggest the veiling effects of a dense mist. The artist inscribed the painting twice: in the upper right, with a title and date, and at the lower left, with his signature and seals.
Signature: The artist has inscribed the painting twice: first with a title and date in the upper right corner of the rightmost scroll (scroll A): "Distant Mountain, Misty Bamboo; mid-winter, the 18th year of the Qianlong [reign era 1763];" and second, with his signature and seals in the lower portion of the leftmost scroll (scroll d): "Panqiao Zheng Xie [2 seals]; Zheng Xie zhih yin, Kerou".
Oscar L. Tang , New York (until 1990; donated to MMA)
New York. China House Gallery. "The Eccentric Painters of Yangzhou," October 13, 1990–December 15, 1990.
New York. The Metropolitan Museum of Art. "The New Chinese Galleries: An Inaugural Installation," 1997.
New York. The Metropolitan Museum of Art. "Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill," September 10, 2002–February 9, 2003.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan I," March 1, 2003–September 21, 2003.
New York. The Metropolitan Museum of Art. "Japanese Bamboo Art: The Abbey Collection," June 13, 2017–February 4, 2018.