Silver; fire-gilded, with decorative wire, gilt applied decoration, table-cut carnelians, and turquoise beads
2 7/8 x 4 in. (7.3 x 10.2 cm)
Gift of Marshall and Marilyn R. Wolf, 2008
Not on view
Three Yomut Amulet Holders (MMA 2008.579.10, MMA 2014.714.15 and MMA 2005.443.8)
The works in this group all perform the function of housing amulets or prayer scrolls, which were inserted in the detachable triangular tops with which these boxes or flat panels are generally outfitted. The first two works, exemplifying the type of small box attached by chains to the neck known as kümush-doga, are of Yomut manufacture.
The versatility of the Turkmen decorative repertoire is illustrated by the way motifs are adapted to adorn square and rectangular surfaces. The design of no. 2008.579.10 consists of rectangular panels with a vertically oriented decoration of geometric appliqués surmounted by a single large ram’s-head ornament. No. 2005.443.8 has a much more complex and multilayered decoration, which is organized into four square panels anchored by a large carnelian at the center and four smaller carnelians in the surrounding panels. The decoration of appliqués in each panel is perfectly symmetrical and in diagonal format. The decoration can also be read as emanating from the center or as a sunburst/medallion design. The complexity of the design is enhanced by the use of numerous terminals (twelve small rams’ heads and a single large ram’s head); chains with bells; and leather straps with rectangular silver and gilt embossed plaques.
Another approach to decorating square surfaces is illustrated by a sparkling, bejeweled pendant (no. 2014.714.15). Here, the careful symmetry and almost classical elegance of no. 2005.443.8 give way to a looser and more playful decorative style. The charm of this ornament is enhanced by the contrast between the small colorful glass stones and the large polished hanging spherical bells.
Layla S. Diba in [Diba 2011]
62. Rudolph, Hermann. Der Turkmenenschmuck: Sammlung Kurt Gull. Exh. cat., Museum Rietberg Zürich; Museum für Völkerkunde, Berlin. Stuttgart, 1984, p. 190.
Marshall and Marilyn R. Wolf, Toronto, Canada (until 2008; gifted to MMA)
Diba, Layla S. "Silver Ornaments from the Marshall and Marilyn R. Wolf Collection." In Turkmen Jewelry. The Metropolitan Museum of Art, 2011. no. 136, p. 180, ill. pl. 136 (color).
Artist: Date: late 14th–16th century Accession Number: 1989.87a–l Date: late 14th–16th centuryMedium: Gold sheet; worked, chased, and set with turquoise, gray chalcedony, and glass
Accession: 1989.87a–lOn view in:Gallery 455
Artist: Date: late 19th–early 20th century Accession Number: 2008.579.10 Date: late 19th–early 20th centuryMedium: Silver; fire-gilded, with decorative wire, gilt applied decoration, table-cut carnelians, and turquoise beads
Accession: 2008.579.10On view in:Not on view
Artist: Date: late 19th–early 20th century Accession Number: 2007.497.3 Date: late 19th–early 20th centuryMedium: Silver; fire-gilded and chased, with openwork, wire links, pendants, table-cut carnelians, and glass and turquoise beads
Accession: 2007.497.3On view in:Not on view
Artist: Date: late 19th–early 20th century Accession Number: 2013.968.8 Date: late 19th–early 20th centuryMedium: Silver; fire-gilded and repousse with openwork and beaded stamped decoration, table cut carnelian, embossed pendants, and perforated terminations.Accession: 2013.968.8On view in:Not on view