Two Beauties

ca. 1801–4
Not on view
Utamaro, the well-known ukiyo-e painter and printmaker, was a disciple of the Kano artist Toriyama Sekien (1712–1788). In this work, a well-dressed girl from a wealthy merchant family is contrasted with a seated woman wearing a simple cotton kimono that is open at the breast. In the Chinese-style couplet inscribed at the upper left by Ubu Kanjin, two butterflies stand in for the two beauties:

It is strange how a pair of butterflies
Come fluttering towards me, fly
away, then return.
Perhaps they wish to enter through
my gauze window.
It is as if a spring breeze is forcing
open the window
And filling the room with the spirit
of spring.

Artwork Details

Object Information
  • Title: Two Beauties
  • Artist: Kitagawa Utamaro (Japanese, ca. 1754–1806)
  • Period: Edo period (1615–1868)
  • Date: ca. 1801–4
  • Culture: Japan
  • Medium: Hanging scroll; ink and color on silk
  • Dimensions: Image: 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm)
    Overall with mounting: 69 11/16 x 19 1/2 in. (177 x 49.5 cm)
    with ivory rollers (dia. 15/16 in.)
  • Classification: Paintings
  • Credit Line: Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914
  • Object Number: 14.76.70b
  • Curatorial Department: Asian Art

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.