15th or 16th century (textiles); late 19th century (woodwork)
Italian (?) or American (United States?)
Walnut, carved and turned; silk cut-velvet braided tape with fringe of green silk and gilt-metal thread.
H. 99.3 cm, W. 60.2 cm, D. 45 cm Back 29 x 67 cm; seat 64 x84 cm (including fringe)
Robert Lehman Collection, 1975
Not on view
The armrest hand pieces with carved rosette decoration on the sides and the simple form with modest balusters as arm supports indicate that the frame was specifically made to accommodate the precious Renaissance cut velvet.(1) The paper labels are similar to those of the firm of French & Company, New York, which employed Italian-style cabinetmakers. The chair’s form is based on southern European pieces that were popular on the Iberian Peninsula and in Italy.(2) During the 1890s, great American collectors Philip Lehman, J. Pierpont Morgan, Henry Walters, and Henry Clay Frick, among others, demanded museum-quality pieces with which to furnish their town houses and country mansions. In addition to French & Company, there were Parisian decorating and furniture-making companies such as Etienne-Simon-Eugene Roudillon, Jacques Seligmann & Co., and Duveen Brothers that had offices in New York to specifically cater to wealthy American clients.
Catalogue entry from: Wolfram Koeppe. The Robert Lehman Collection. Decorative Arts, Vol. XV. Wolfram Koeppe, et al. New York: The Metropolitan Museum of Art in association with Princeton University Press, 2012, pp. 242-43.
NOTES: 1. Thurman, Christa C. Mayer. The Robert Lehman Collection. Vol. 14, European Textiles. The Metropolitan Museum of Art. New York, 2001, p. 184, no. 109 (discussion of the velvet). 2. For the chair type, see 1975.1.1996; see also “Reproduction Furniture” 1918; Fayet, Monique de. Meubles et ensembles: Renaissance espagnole. Paris, 1961, p. 28, fig. 35; Ciechanowiecki, Andrew. “Renaissance: Spain and Portugal.” In World Furniture: An Illustrated History, edited by Helena Hayward, pp. 61 – 65. New York, 1965, ill. no. 192 (for a Spanish variation called sillón de fraileros); Holm, Edith. Stühle, von der Antike bis zur Moderne: Eine Stilgeschichte des Sitzmöbels. Munich, 1978, p. 77, ill. no. 83.
Mrs. Albert E. Goodhart, New York. Bequeathed by Mrs. Goodhart to Robert Lehman in August 1952.
Artist: Date: 15th or 16th century (textiles) and 16th century, second half (woodwork) Accession Number: 1975.1.1995 a-d Date: 15th or 16th century (textiles) and 16th century, second half (woodwork)Medium: Walnut, carved and turned; upholstered with various fragments of silk and gilt-metal embroidered fragments, silk, and brocatelle and knotted silk fringe.Accession: 1975.1.1995 a-dOn view in:Gallery 958
Artist: Date: 15th or 16th century (textiles); late 19th century (woodwork) Accession Number: 1975.1.1993 Date: 15th or 16th century (textiles); late 19th century (woodwork)Medium: Walnut, carved and turned; silk cut-velvet braided tape with fringe of green silk and gilt-metal thread.Accession: 1975.1.1993On view in:Not on view