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Bowl Base with Miracle Scenes

ca. 350–400
On view at The Met Fifth Avenue in Gallery 300
Commemorations of the dead held at the deceased’s tomb focused on bidding farewell to loved ones and praying for the pardon of their sins and for their salvation. The catacombs of Rome—underground burial chambers used by all religions in the late Roman and early Byzantine era—are a particularly rich source of early Christian imagery. These images express Christian hopes of salvation. Here a beardless man dressed in a toga and the inscription “Live” are framed by miracle scenes. Beginning at the top and moving clockwise, these are Christ saving the three Hebrews in the fiery furnace (Daniel 3), Christ healing the paralytic (Matthew 9:1–8), Tobias with the fish that the archangel Raphael advises him will help restore his father’s sight (Tobit 6), and Christ turning water into wine at Cana (John 2:3–10).

Artwork Details

Object Information
  • Title: Bowl Base with Miracle Scenes
  • Date: ca. 350–400
  • Culture: Roman or Byzantine
  • Medium: Glass, gold leaf
  • Dimensions: Overall: Diam. 3/16 x 4 3/16 in. (0.5 x 10.7 cm)
  • Classification: Glass-Gold glass
  • Credit Line: Rogers Fund, 1916
  • Object Number: 16.174.2
  • Curatorial Department: Medieval Art and The Cloisters
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Bowl Base with the Portrait of a Young Man, Glass, gold leaf, Roman or Byzantine
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Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian
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carved 1000s, assembled 1100s or 1200s
Bowl Base, Glass, gold leaf, Roman
Roman
300–early 400s

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