These royal donors in prayer may have belonged to an altar or a tomb. Based on comparisons with contemporary portraits, the statuettes may portray Philip VI Valois (d. 1350); his second wife, Blanche of Navarre (d. 1398); and one of their sons, John the Good or Philip of France.
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L-R: 17.190. 392, .387, .388
Artwork Details
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Title:Queen, from a group of Donor Figures including a King, Queen, and Prince
Date:ca. 1350
Culture:French
Medium:Marble, traces of paint & gilding
Dimensions:Overall: 15 3/16 x 10 3/16 x 3 1/8 in. (38.6 x 25.8 x 8 cm)
Classification:Sculpture-Stone
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.190.388
Gaston Le Breton, Rouen; [ Jacques Seligmann & Co., Paris (sold 1910)]; J. Pierpont Morgan (American), London and New York (1910–1913)
Bayerisches Nationalmuseum, Munich. "Kaiser-Karl IV., 1316-1378," June 15–October 15, 1978.
Pavillon de Marsan, Palais du Louvre. "Les Fastes du Gothique: Le Siècle de Charles V," October 1981–January 1982.
State Pushkin Museum of Fine Arts. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," June–December 1989.
State Hermitage Museum, Leningrad. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," February–July 1990.
Catalogue officiel illustré de l'exposition retrospective de l'art français des origines à 1800. Exposition universelle de 1900. Paris: Lemercier & Cie., 1900. no. 4642, p. 310.
Michel, André. Histoire de l'art depuis les premiers temps chrétiens jusqu'à nos jours: Volume 3, Le réalisme et les débuts de la Renaissance. Paris: Armand Colin et Cie., 1907. p. 376.
Guide to the Loan Exhibition of the J. Pierpont Morgan Collection. New York: The Metropolitan Museum of Art, 1914. p. 33.
Vitry, Paul. "Les collections Pierpont Morgan." Gazette des Beaux-Arts, 4th ser., 11, no. 5 (May 1914). p. 435, ill. p. 432.
Breck, Joseph. "A Marble Statue of the Virgin." The Metropolitan Museum of Art Bulletin 20, no. 2 (February 1925). p. 39.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 1st ed. New York: The Metropolitan Museum of Art, 1925. p. 129.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. p. 129.
Chefs d'oeuvre de l'art français. Paris: Palais National des Arts, 1937. no. 993, p. 445.
Lafond, Jean. "Les vitraux royaux du XIVe siècle à la cathédrale d'Evreux." Bulletin Monumental 101 (1942). p. 80, n. 2.
Weinberger, Martin. "A French Model of the Fifteenth Century." The Journal of the Walters Art Gallery 9 (1946). p. 10, n. 2.
Pradel, Pierre. "Sur trois priants royaux du XIVe siècle conservés au Metropolitan Museum." In Miscellanea Prof. Dr. D. Roggen. Antwerp: de Sikkel, 1957. pp. 213–17, fig. 2.
Seligman, Germain. Merchants of Art: 1880–1960, Eighty Years of Professional Collecting. New York: Appleton-Century-Crofts, 1961. p. 72, pl. 12b.
Wixom, William D. "The Gothic Sculptures." The Bulletin of the Cleveland Museum of Art 53, no. 9 (November 1966). p. 349, fig. 4.
Randall Jr., Richard H. "Review of The Portraits of Charles V of France (1338-1380)." The Art Bulletin 54, no. 3 (September 1972). p. 348.
Bayerisches Nationalmuseum. Kaiser Karl IV: 1316-1378. Munich: Prestel, 1978. no. 56, pp. 62–64.
Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 1. Cologne: Museen der Stadt Köln, 1978. pp. 51–52.
Les fastes du gothique: Le siècle de Charles V. Paris: Éditions de la Réunion des Musées Nationaux, 1981. no. 46, pp. 100–1, fig. 46b.
Baron, Françoise, ed. Les fastes du Gothique: Le siècle de Charles V. Paris: Galeries nationales du Grand Palais, 1981. no. 11B, p. 101, ill. p. 100.
Schmidt, Gerhard, and Albert Châtelet. "Zu einigen Stifterdarstellungen des 14. Jahrhunderts in Frankreich." In Études d'art médiéval offertes à Louis Grodecki, edited by Sumner McK. Crosby, André Chastel, and Anne Prache. Paris: Editions Ophrys, 1981. pp. 273–75, fig. 10.
Schwarz, Michael Viktor. Höfische Skulptur im 14. Jahrhundert: Entwicklungsphasen und Vermittlungswege im Vorfeld des Weichen Stils. Manuskripte zur Kunstwissenschaft in der Wernerschen Verlagsgesellschaft, Vol. 6. Worms: Wernersche Verlagsgesellschaft, 1986. pp. 36, 109–110, 156.
Pushkin Museum and State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki: Kratkii Katalog Vystavki. Moscow: Pushkin Museum, 1990. no. 49, pp. 12, 37, fig. 49.
State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki. St. Petersburg: State Hermitage Museum, 1990. no. 49, pp. 104–105.
Schmidt, Gerhard. Gotische Bildwerke und ihre Meister. Vienna: Böhlau Verlag, 1992. pp. 130–33, 314, fig. 132.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). p. 38.
Perkinson, Stephen. The Likeness of the King: A Prehistory of Portraiture in Late Medieval France. Chicago: University of Chicago Press, 2009. p. 283, fig. 92.
Lyon, Christopher. Couples in Art: Artworks from The Metropolitan Museum of Art selected by Colin Eisler in collaboration with Caroline Kelly. Munich, London, New York: Prestel, 2011. pp. 144–145.
Ciseri, Ilaria, ed. Gli avori del Museo nazionale del Bargello. Milan: Museo Nazionale del Bargello, 2018. p. 288.
Jean de Liège (Franco-Netherlandish, active ca. 1361–died 1381)
ca. 1381
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