The rose-colored face of Christ, his chalk-white torso with fine lines of gilded copper that articulate the interior and exterior lines of his body, and the knee-length deep-blue loincloth link this cross to a small number of others associated with the abbey at Grandmont.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Central Plaque of a Cross
Date:ca. 1185–95
Geography:Made in Limoges, France
Culture:French
Medium:Copper: engraved, stippled, gilt; champlevé enamel: dark and light blue, translucent dark and opaque medium green, yellow, translucent and opaque red, rose, and white
Dimensions:Overall: 14 3/4 x 11 3/4 x 3/4 in. (37.4 x 29.8 x 1.9 cm)
Classification:Enamels-Champlevé
Credit Line:Gift of J. Pierpont Morgan, 1917
Object Number:17.190.409a
Inscription: Enameled, top of the cross: IH[SU]S XP[ISTU]S (Jesus Christ)
Alfred André (French), Paris (sold 1910); J. Pierpont Morgan (American), London and New York (1910–1913)
The Metropolitan Museum of Art. "The Year 1200: A Centennial Exhibition at the Metropolitan Museum of Art," February 12–May 10, 1970.
State Pushkin Museum of Fine Arts. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," June–December 1989.
State Hermitage Museum, Leningrad. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," February–July 1990.
Paris. Musée du Louvre. "L'Oeuvre de Limoges," October 23, 1995–January 22, 1996.
New York. The Metropolitan Museum of Art. "Enamels of Limoges, 1100-1350," January 22–June 16, 1996.
New York. The Metropolitan Museum of Art. "The Glory of Byzantium," March 11–July 6, 1997.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 1st ed. New York: The Metropolitan Museum of Art, 1925. pp. 100–1, fig. 54.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. pp. 100–1, fig. 54.
The Metropolitan Museum of Art. Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. New York: H. N. Abrams, 1952. no. 52, pp. 59, 221.
Thoby, Paul. Les Croix limousines de la fin du XIIe siècle au début du XIVe siècle. Paris: Picard, 1953. pp. 989–99, pl. XI, fig. 16.
Gauthier, Marie-Madeleine. "Le goût Plantagenet." In Stil und Überlieferung in der Kunst des Abendlandes: Volume 1, Epochen europäischer Kunst. International Congress of the History of Art, Vol. 21. Berlin: Gebr. Mann, 1967. p. 148 n. 27.
Souchal, Geneviève. "Autour des plaques de Grandmont: Une famille d'émaux limousins champlevés de la fin du XIIe siècle." Bulletin Monumental 125, no. 1 (1967). no. VI, pp. 34–36, 56, fig. 8.
Hoffmann, Konrad, ed. The Year 1200: A Centennial Exhibition at The Metropolitan Museum of Art. Vol. 1. New York: The Metropolitan Museum of Art, 1970. no. 156, p. 151.
Gauthier, Marie-Madeleine. Émaux du Moyen Âge Occidental. Fribourg: Office du Livre, 1972. no. 51, pp. 99, 331, ill. p. 97.
Gauthier, Marie-Madeleine. Émaux Méridionaux: Catalogue International de l'Oeuvre de Limoges; L'Époque Romane. Corpus des émaux méridionaux, Vol. I. Paris: Editions du centre national de la recherche scientifique, 1987. no. 245, p. 203–04, pl. CCXVII, ill. 721 (color.
Pushkin Museum and State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki: Kratkii Katalog Vystavki. Moscow: Pushkin Museum, 1990. no. 20, pp. 8, 10.
State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki. St. Petersburg: State Hermitage Museum, 1990. no. 20, pp. 8, 48–49.
Taburet-Delahaye, Elisabeth, and Barbara Drake Boehm, ed. L'Oeuvre de Limoges: Emaux limousins du Moyen Age. Paris: Réunion des Musées Nationaux, 1995. no. 62, pp. 232–233.
Boehm, Barbara Drake, and Elisabeth Taburet-Delahaye, ed. Enamels of Limoges, 1100-1350. New York: The Metropolitan Museum of Art, 1996. no. 62, pp. 232–33.
Evans, Helen C., and William D. Wixom, ed. The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843–1261. New York: The Metropolitan Museum of Art, 1997. no. 293, pp. 455–56.
Gaborit-Chopin, Danielle. Ivoires Médiévaux, Ve-XVe siècle. Paris: Musée du Louvre, 2003. p. 343.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.