Openwork plaques were hung from a belt by a strap. Such useful objects as combs, keys, or amulets would then be suspended from the plaque by chains or strings. The patterns on these belt fittings ranged from architectural motifs to human figures to abstract designs.
Artwork Details
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Title:Openwork Belt Fitting
Date:7th century
Geography:Made in Alamania
Culture:Frankish
Medium:Cast copper alloy - tinned surface, engraved decoration; two integral posts on reverse; iron tongues
Dimensions:Overall: 3 1/8 x 4 1/8 x 3 1/8 x 5/16 in. (8 x 10.5 x 8 x 0.8 cm)
Classification:Metalwork-Copper alloy
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.192.163
Cottelle, Arras (1893); Stanislas Baron, Paris; J. Pierpont Morgan (American), London and New York (until 1917)
Museum of Fine Arts, Boston. "Romans and Barbarians," December 17, 1976–February 27, 1977.
Pilloy, Jules. "L'equitation aux epoques Franque et Carolingienne." Bulletin archéologique du Comité des travaux historiques et scientifiques (1894). p. 154, fig. 9.
Ricci, Seymour de. Catalogue of a Collection of Merovingian Antiquities Belonging to J. Pierpont Morgan. Paris: C. Berger, 1910. no. 163, p. 35, pl. XIV.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 1st ed. New York: The Metropolitan Museum of Art, 1925. p. 5, fig. 2.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. p. 5, fig. 2.
Baum, Julius. La sculpture figurale en Europe a l'epoque merovingienne. Paris: Les Éditions d'art et d'histoire, 1930. p. 68 n. 4.
Kühn, Herbert. "Die Reitersheiben der Völkerwanderungszeit." Ipek 12 (1938). no. 23, pp. 101–102, pl. 45.
Ricketson, Edith B. "Barbarian Jewelry of the Merovingian Period." The Metropolitan Museum of Art Bulletin, n.s., 5, no. 5 (January 1947). p. 141.
Nickel, Helmut. Warriors and Worthies: Arms and Armor Through the Ages. New York: Atheneum, 1969. p. 36, illus.
Die durchbrochenen Zierscheiben der Merowingerzeit. Kataloge vor- und frühgeschichtlicher Altertümer, Vol. 18. Mainz: Römisch-Germanisches Zentralmuseum, 1970. pp. 41, 193–4, pl. 31, no. 630.
Romans & Barbarians. Boston: Museum of Fine Arts, Boston, 1976. no. 173, p. 142.
Brown, Katharine R. Frankish Art in American Collections. New York: The Metropolitan Museum of Art, 1984. p. 25, fig. 16, Frontispiece illustration.
Brown, Katharine R. "The Morgan Scramasax." Metropolitan Museum Journal 24 (1989). pp. 72–73, fig. 2.
Brown, Katharine R., Dafydd Kidd, and Charles T. Little, ed. From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2000. p. 18, 352, fig. 3.6.
Effros, Bonnie. Merovingian Mortuary Archaeology and the Making of the Early Middle Ages. Berkeley: University of California, Berkeley, 2003. p. 153, fig. 18.
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