A compass was used for drawing decorative bands on pottery. The mark of the compass point is visible at the center of this bowl. Designs imitating metalwork patterns often closely resemble those in contemporary Islamic art, providing some indication of trade and export patterns during the middle Byzantine period.
John P. Demoleas (USA), Tenafly, New Jersey (sold 1994)
Alison, Franz M., and M. Alison Franz. "Middle Byzantine Pottery." Hesperia 7, no.3 (1938).
Morgan, Charles H. The Byzantine Pottery. Cambridge, Mass.: Harvard University Press, 1942.
Campbell, Sheila D., ed. The Malcove Collection: A Catalogue of the Objects in The Lilian Malcove Collection of The University of Toronto. Toronto and Buffalo, New York: University of Toronto Press, 1985. no. 255.
Jenkins-Madina, Marilyn. "Early Medieval Islamic Pottery: The Eleventh Century Reconsidered." Muqarnas IX: An Annual on Islamic Art and Architecture 9 (1992). pp. 56–66.
Evans, Helen C., and William D. Wixom, ed. The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843–1261. New York: The Metropolitan Museum of Art, 1997. no. 181, p. 259.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 106 A, pp. 90–91.
Artist: Date: late 11th–early 12th century Accession Number: 1998.298a, b Date: late 11th–early 12th centuryMedium: Stonepaste; luster-painted on incised, opaque white glazeAccession: 1998.298a, bOn view in:Gallery 451
Artist: Date: second half 17th century or later Accession Number: 11.137.1 Date: second half 17th century or laterMedium: Stonepaste; incised under transparent glaze (Gombroon ware)Accession: 11.137.1On view in:Gallery 462