Doorway from the Church of San Nicolò, San Gemini

carved 1000s, assembled 1100s or 1200s
On view at The Met Fifth Avenue in Gallery 300
This doorway is an example of the reuse of materials during the life of a single medieval church. All of the marble used to make the doorway originally came from the ruins of nearby Roman buildings. Displaying an array of styles and techniques, the principal elements were carved at different times in the eleventh century. The lions were possibly made for another location and then inserted in the portal. The whole was assembled for the church one to two centuries later. The animal imagery used in decorating the portal may refer to medieval bestiaries, books that combined descriptions of animal life with legend, thereby investing the animals depicted here with symbolic significance.

Artwork Details

Object Information
  • Title:
    Doorway from the Church of San Nicolò, San Gemini
  • Date:
    carved 1000s, assembled 1100s or 1200s
  • Geography:
    Made in San Gemini, Umbria, Central Italy
  • Culture:
    Central Italian
  • Medium:
    Marble (Lunense marble from Carrara)
  • Dimensions:
    H. 11 ft. 9 in. x 8 ft. 4 in. (358.4 x 254.2 cm)
  • Classification:
    Sculpture-Architectural
  • Credit Line:
    Fletcher Fund, 1947
  • Object Number:
    47.100.45a–g
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Cover Image for 2975. Portal from the Church of San Nicolü, San Gemini

2975. Portal from the Church of San Nicolü, San Gemini

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This portal once ushered people into a small church in Umbria, the Italian region that borders Tuscany. Stand off to either side of the doorway to avoid the traffic that flows through it today.

This portal is composed of elements made at different times and in a variety of styles. Notice, for example, the two jambs, or sides of the door, with their entirely different designs. On the left jamb, curving vegetal designs wind their way around unusual motifs—find the enigmatic figure near the center right edge who stirs a pot with one hand while blowing a horn with the other. And further above him, the angel who hovers beneath an oversized flower. The right jamb pairs a lozenge pattern on the left with a vine of acanthus leaves on the right.

The style of European art prevalent in the eleventh and twelfth centuries is generally known as Romanesque. One of the hallmarks of the style can be seen in the wide rounded arch, or Roman arch, at the top of the portal. Look up at the arch to find a block just right of center that bears the Roman letters V, R, and C.

Press the green PLAY button to hear Curator Charles Little explain this curious detail.

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