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Fragment of a Floor Mosaic with a Personification of Ktisis

500–550, with modern restoration
On view at The Met Fifth Avenue in Gallery 301
The bejeweled woman, holding the measuring tool for the Roman foot, is identified by the restored Greek inscription as Ktisis, a figure personifying the act of generous donation or foundation. The man with a cornucopia, originally one of a pair flanking her, has the Greek inscription “good” by his head, half of a text that probably said, “good wishes.” The fragment, made of marble and glass tesserae (small pieces of colored material), is typical of the exceptional mosaics created throughout the Byzantine world in the 500s. The Metropolitan Museum, after acquiring the two figures independently, has restored them in accordance with a dealer’s photograph showing their original arrangement while in storage before separation.

Artwork Details

Object Information
  • Title:
    Fragment of a Floor Mosaic with a Personification of Ktisis
  • Date:
    500–550, with modern restoration
  • Culture:
    Byzantine
  • Medium:
    Marble and glass
  • Dimensions:
    59 1/2 x 78 5/8 x 1 in. (151.1 x 199.7 x 2.5 cm)
  • Classification:
    Mosaics
  • Credit Line:
    Harris Brisbane Dick Fund and Fletcher Fund, 1998; Purchase, Lila Acheson Wallace Gift, Dodge Fund, and Rogers Fund, 1999
  • Object Number:
    1998.69; 1999.99
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Cover Image for 2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

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This restored mosaic represents the type of decoration found on floors of large buildings in the mid-sixth century, the peak of the early Byzantine Empire.

A monumental bust shows a stunningly bejeweled woman with large, inviting eyes. She is Ktisis, the personification of the pre-Christian idea of the generous act of foundation, or providing money for a building.

To the left of Ktisis, there’s a man holding a large cornucopia filled with fruits and leaves. He is identified by the Greek word Kaloi, meaning good or beautiful, and serves as a proclamation of the donor’s generosity. These two figures were part of a larger program, where another man would have appeared to the right of Ktisis, probably with the Greek word Kaipoi, so that the full inscription would read as good wishes.

Floor mosaics originated in the Greek and Roman world. Sometimes rugs were woven in the same patterns to cover the floors in cold weather.

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