Picasso spent the summer of 1938 in the small hilltop village of Mougins, not far from Cannes on the Côte d'Azur. During his stay he drew and painted a number of works showing men licking ice cream cones or sucking on lollipops. They might be tourists or village youths, such as the young man shown in this drawing. The drawing was a study for the painting Man with a Lollipop (MMA 1999.363.69) in which the sitter has been transformed into an old man.
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Inscription: Signed and dated, lower right, in graphite: 23.7.38; in black ink: Picasso
[Galerie Käte Perls, Paris and Perls Galleries (Klaus and Frank Perls), New York, from 1938; acquired in 1938 from the artist; sold to Ault]; Lee Ault, New York (by 1944–62; sold in 1962 to Thaw); [E. V. Thaw & Co., New York, 1962–ca. 1963; sold ca. 1963 to Bareiss]; Walter Bareiss, Greenwich, Conn. (ca. 1963–73; exchanged for another work of art ca. 1973 to Thaw); [E. V. Thaw & Co., New York, ca. 1973–77; sold on February 16, 1977 to Gelman]; Jacques and Natasha Gelman, Mexico City and New York (1977–his d. 1986); Natasha Gelman, Mexico City and New York (1986–d. 1998; her bequest to MMA)
New York. Valentine Gallery. "Modern Paintings: The Lee Ault Collection," April 10–29, 1944, no. 44.
New York. New Gallery. "Picasso: An American Tribute," April 25–May 12, 1962, no. 37.
New Haven. Yale University Art Gallery. "Picasso Drawings from the Collection of Mr. and Mrs. Walter Bareiss," November 4, 1971–January 2, 1972, no. 15.
New York. The Metropolitan Museum of Art. "Twentieth-Century Modern Masters: The Jacques and Natasha Gelman Collection," December 12, 1989–April 1, 1990, unnumbered cat. (p. 207).
London. Royal Academy of Arts. "Twentieth-Century Modern Masters: The Jacques and Natasha Gelman Collection," April 19–July 15, 1990, unnumbered cat.
Martigny. Fondation Pierre Gianadda. "De Matisse à Picasso: Collection Jacques et Natasha Gelman," June 18–November 1, 1994, unnumbered cat. (p. 231).
New York. The Metropolitan Museum of Art. "Picasso in The Metropolitan Museum of Art," April 27–August 1, 2010, no. 83.
New York. Acquavella Galleries. "Picasso: Seven Decades of Drawing," October 7–December 3, 2021, unnumbered cat. (pl. 58; as "Homme à la sucette [Man with Lollipop]").
Christian Zervos. "Tableaux magiques de Picasso." Cahiers d'art 13, nos. 3–10 (1938), p. 164, ill.
Juan Merli. Picasso: El artista y la obra de nuestro tiempo. Buenos Aires, 1942, p. 301, ill. p. 290.
Christian Zervos. Pablo Picasso. Vol. 9, Works from 1937 to 1939. Paris, 1958, p. 90, no. 188, ill.
Pierre Daix. La Vie de peintre de Pablo Picasso. Paris, 1977, pp. 287, 290 n. 19.
Mariel Jardines. The Picasso Project: Picasso's Paintings, Watercolours, Drawings, and Sculpture, A Comprehensive Illustrated Catalogue, 1885–1973. Ed. Herschel B. Chipp and Alan Wofsy. Vol. 6, Spanish Civil War, 1937–1939. San Francisco, 1997, pp. xv, 175, no. 38-131, ill.
Julia May Boddewyn in Michael FitzGerald. Picasso and American Art. Exh. cat., Whitney Museum of American Art. New York, 2006, p. 359.
Gary Tinterow inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 12.
Sabine Rewald inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, pp. 227–28, no. 83, ill. (color).
Rachel Mustalish inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 227.
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