Dragon Pine on Mount Huang
This monumental work is one of the monk-painter Hongren's many portraits of the powerfully eccentric pines on Mount Huang, a scenic spot in Anhui Province. He was a guiding figure of the Anhui school of painters, whose common bond was their fascination with the rugged scenery of Mount Huang. Hongren favored a dry linear style that echoed the lofty moral character of the Yuan dynasty recluse-painter Ni Zan (1306–1374). Intense emotion lurks beneath the surface of Hongren's seemingly cool and detached style.
A staunch Ming loyalist, Hongren became a Buddhist monk after the Manchu conquest of the south in 1645. His poem, inscribed on this painting, alludes to the theme of endurance and survival, long associated with the great pine:
Coiled above a mountain peak, his physique
is superb.
How old is he? What man can tell?
the elixir of immortality, at the beginning
of time,
[The pine's] dense scales and claws were already
fully grown.
A staunch Ming loyalist, Hongren became a Buddhist monk after the Manchu conquest of the south in 1645. His poem, inscribed on this painting, alludes to the theme of endurance and survival, long associated with the great pine:
Coiled above a mountain peak, his physique
is superb.
How old is he? What man can tell?
the elixir of immortality, at the beginning
of time,
[The pine's] dense scales and claws were already
fully grown.
Artwork Details
- 清 倣弘仁 黃山蟠龍松圖 軸
- Title: Dragon Pine on Mount Huang
- Artist: Unidentified artist
- Artist: After Hongren (Chinese, 1610–1664)
- Period: Qing dynasty (1644–1911)
- Date: ca. 1660
- Culture: China
- Medium: Hanging scroll; ink and pale color on paper
- Dimensions: Image: 76 1/4 x 31 in. (193.7 x 78.7 cm)
Overall with mounting: 120 1/4 x 38 1/2 in. (305.4 x 97.8 cm)
Overall with knobs: 120 1/4 x 41 3/4 in. (305.4 x 106 cm) - Classification: Paintings
- Credit Line: Gift of Douglas Dillon, 1976
- Object Number: 1976.1.2
- Curatorial Department: Asian Art
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