Jewel River at Ide (Ide no Tamagawa)
Holding the skirts of their kimonos above the water, three women wade in a shallow stream from a bank where yamabuki flowers grow. With elegance and great care they are venturing across the river.
This particular print shows a famous scenic place on the Jewel River at Ide in Yamashiro Province, modern Kyoto. A square cartouche bears a title and a poem by the celebrated poet Fujiware no Shunzei (1114–1204):
Tamagawa at Ide by Shunzei
As I stop my horse to give him
water, dew from the yamabuki flowers
is lost in the stream of Tamagawa at Ide.
(trans. by Miyeko Murase)
The images of the three women are borrowed from the illustrated book by Nishikawa Sukenobu (1671–1751) entitled Ehon Chitose-yama (Picture Book: Thousand-Year Mountain), displayed next to this print. In Harunobu's print, it is not clear why the maid on the right is looking over her shoulder. However, in Sukenobu's illustration, the maid actually looks back at a fourth figure behind her. Ignoring the fourth woman, Harunobu borrowed only three figures from Sukenobu's illustration, almost cutting them out for transplant into his print. A significant change in Harunobu's print is the treatment of the women's feet, which are visible under the clear water.
This particular print shows a famous scenic place on the Jewel River at Ide in Yamashiro Province, modern Kyoto. A square cartouche bears a title and a poem by the celebrated poet Fujiware no Shunzei (1114–1204):
Tamagawa at Ide by Shunzei
As I stop my horse to give him
water, dew from the yamabuki flowers
is lost in the stream of Tamagawa at Ide.
(trans. by Miyeko Murase)
The images of the three women are borrowed from the illustrated book by Nishikawa Sukenobu (1671–1751) entitled Ehon Chitose-yama (Picture Book: Thousand-Year Mountain), displayed next to this print. In Harunobu's print, it is not clear why the maid on the right is looking over her shoulder. However, in Sukenobu's illustration, the maid actually looks back at a fourth figure behind her. Ignoring the fourth woman, Harunobu borrowed only three figures from Sukenobu's illustration, almost cutting them out for transplant into his print. A significant change in Harunobu's print is the treatment of the women's feet, which are visible under the clear water.
Artwork Details
- 井手の玉川
- Title: Jewel River at Ide (Ide no Tamagawa)
- Artist: Suzuki Harunobu (Japanese, 1725–1770)
- Period: Edo period (1615–1868)
- Date: ca. 1768
- Culture: Japan
- Medium: Woodblock print; ink and color on paper
- Dimensions: 10 3/4 x 7 7/16 in. (27.3 x 18.9 cm)
medium-size print (chu-ban) - Classification: Prints
- Credit Line: Harris Brisbane Dick Fund, 1946
- Object Number: JP3019
- Curatorial Department: Asian Art
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Suzuki Harunobu
ca. 1769
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Suzuki Harunobu
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Suzuki Harunobu
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