鈴木春信画 雪中に筍を掘る女 見立孟宗 Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Mōsō), from Twenty-Four Paragons of Filial Piety
Suzuki Harunobu (Japanese, 1725–1770)
Edo period (1615–1868)
Polychrome woodblock print; ink and color on paper
H. 11 1/8 in. (28.3 cm); W. 8 3/8 in. (21.3 cm) medium-size print (chuban)
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
Not on view
Harunobu treated a popular paragon theme with great innovation here, applying the playfully subversive spirit of ukiyo-e to the story of Meng Zong (J.: Mōsō), a boy whose filial piety prompted heaven to cause the sprouting of spring bamboo shoots in the dead of winter for his ill mother. The story is incorporated in a New Year's calendar print of bijin, or beautiful women. Combining a popular subject with the associations of a holiday, he made the virtuous theme entertaining to a general Edo audience.
Howard Mansfield , New York (until 1936; sold to MMA)
Nagoya City Museum. "Ukiyo-e from the Metropolitan Museum of Art," April 14, 1995–May 28, 1995.
New York. The Metropolitan Museum of Art. "Enlightening Pursuits," February 28, 2001–August 5, 2001.
New York. The Metropolitan Museum of Art. "Japanese Bamboo Art: The Abbey Collection," June 13, 2017–February 4, 2018.