Evening Chime of the Clock (Tokei no banshō), from the series “Eight Parlor Views” (Zashiki hakkei)
The orderly composition of this scene, with architectural elements arranged in parallel diagonals, reveals a private room and courtyard behind a roofed wall covered with vines. In the tightly organized space, a woman in a loose garment sits on the veranda after her bath. The maid turns her head toward the clock, partially seen at left, at the moment it strikes the hour. The woman, though listening to the clock, seems preoccupied. The traditional representation of the "evening bell" in this print from the Eight Views of the Xiao and Xiang Rivers appears in the pagoda of a temple in the distance. Here, the clock stands in for the temple bell. Again, there is a subtle suggestion of a romantic narrative; the strikes of the clock may remind the woman of a lover's impending visit. The standing screen decorated with bamboo divides formal areas of the house from the intimate scene we see here.
Artwork Details
- 鈴木春信画 坐鋪八景 とけひの晩鐘
- Title: Evening Chime of the Clock (Tokei no banshō), from the series “Eight Parlor Views” (Zashiki hakkei)
- Artist: Suzuki Harunobu (Japanese, 1725–1770)
- Period: Edo period (1615–1868)
- Date: ca. 1766
- Culture: Japan
- Medium: Woodblock print; chuban; ink and color on paper
- Dimensions: H. 11 1/8 in. (28.3 cm); W. 7 1/16 in. (17.9 cm)
medium-size print (chu-ban) - Classification: Prints
- Credit Line: The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
- Object Number: JP2447
- Curatorial Department: Asian Art
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Suzuki Harunobu
ca. 1769
Suzuki Harunobu
Suzuki Harunobu
ca. 1766
Suzuki Harunobu
Suzuki Harunobu
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