The Rout, or Defeat, of Comus and his Band (John Milton's "Comus, a Masque")

Engraver Thomas Landseer British
Subject Relates to John Milton British
1868
Not on view
This semi-circular image centers on a young man who raises his staff next to a kneeling woman with a doe's head, near dancing figures with human bodies and the heads of animals. The spandrels show an emaciated male at left, and bare-breated women at right, and the image is based on a fresco by Landseer that Prince Albert commissioned in 1843 for an octagonal pavilion in the garden of Buckingham Palace. Known as the Milton Summer House or Milton Villa, the building deteriorated and was demolished in 1928. There is a related oil sketch by Landseer for the design at Tate Britain.

Artwork Details

Object Information
  • Title: The Rout, or Defeat, of Comus and his Band (John Milton's "Comus, a Masque")
  • Artist: After Sir Edwin Henry Landseer (British, London 1802–1873 London)
  • Engraver: Thomas Landseer (British, London 1795–1880 London)
  • Subject: Relates to John Milton (British, London 1608–1674 London)
  • Date: 1868
  • Medium: Mixed method engraving
  • Dimensions: Plate: 21 15/16 × 37 1/16 in. (55.8 × 94.2 cm)
    Sheet: 27 7/16 × 39 3/8 in. (69.7 × 100 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
  • Object Number: 49.40.179
  • Curatorial Department: Drawings and Prints

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.