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Maharana Amar Singh II Is Shown Two Silver Elephants

ca. 1705
Not on view
The semi-colored drawing technique seen here, a cross between grisalle tonal drawing—known in the Mughal tradition as nim qalam—and watercolor, developed at Udaipur and is associated with a master painter in the service of Amar Singh II and Sangram Singh II in the early eighteenth century. The style of this anonymous artist, called the Stipple Master, remained a singular phenomenon at that court. He devoted himself exclusively to painting portraits of his patrons.

Artwork Details

Object Information
  • Title: Maharana Amar Singh II Is Shown Two Silver Elephants
  • Artist: Stipple Master (Indian, active ca. 1690–1715)
  • Date: ca. 1705
  • Culture: India (Rajasthan, Mewar)
  • Medium: Ink, opaque watercolor, silver, and gold on paper
  • Dimensions: 18 x 13 in. (45.7 x 33 cm)
  • Classification: Paintings
  • Credit Line: Cynthia Hazen Polsky and Leon B. Polsky Fund, 2003
  • Object Number: 2003.238
  • Curatorial Department: Asian Art
More Artwork
Maharana Sangram Singh Riding a Prize Stallion, Stipple Master  Indian, Ink, opaque watercolor, gold, and Basra pearls on paper, India (Rajasthan, Mewar)
Stipple Master
Jai Ram
ca. 1712
Punch Dagger (Katar) with Sheath, Steel, iron, silver, gold, rubies, Indian, Mughal
Indian, Mughal
late 17th–18th century
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, Devidasa of Nurpur, Opaque watercolor, ink, silver, and gold on paper, India (Basohli, Jammu)
Devidasa of Nurpur
dated 1694–95
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar, Stipple Master  Indian, Opaque watercolor, ink and gold on paper, India (Udaipur, Rajasthan)
Attributed to Stipple Master
ca. 1707–8
Matchlock Gun, Steel, iron, wood, ivory, gold, silver, copper alloy, pigment, Indian, Rajasthan, possibly Gwalior
Indian, Rajasthan, possibly Gwalior
late 18th–19th century

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