Wilton album, folio 17h: A Woman Examining an Armillary Sphere
On folio 17 with nine other prints: 27.78.1(68-74 and 76-77)
For more information on the Wilton album see entry for 27.78.1(1-428).
The print is related to an etching of the same subject by Parmigianino (Bartsch XVI.14.15), while diverging from it in a number of details, most notably in the absence of a skull and the addition of lettering. Perhaps both prints were based on the same drawing. For another impression see The Metropolitan Museum of Art Mariette Album (folio 43)
For more information on the Wilton album see entry for 27.78.1(1-428).
The print is related to an etching of the same subject by Parmigianino (Bartsch XVI.14.15), while diverging from it in a number of details, most notably in the absence of a skull and the addition of lettering. Perhaps both prints were based on the same drawing. For another impression see The Metropolitan Museum of Art Mariette Album (folio 43)
Artwork Details
- Title: Wilton album, folio 17h: A Woman Examining an Armillary Sphere
- Artist: Master F. P. (Italian, active 16th century)
- Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore)
- Date: 1527–50
- Medium: Etching
- Dimensions: Sheet: 4 3/16 × 2 13/16 in. (10.7 × 7.1 cm)
- Classification: Prints
- Credit Line: Harris Brisbane Dick Fund, 1927
- Object Number: 27.78.1(75)
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.