Wilton album, folio 57a: Saint Francis of Assisi Receiving the Stigmata
On folio 57 with one other print: 27.78.1(196)
For more information on the Wilton album see entry for 27.78.1(1-428)
Perhaps one of Barocci's first experiments with the technique of 'stopping out', which allows to achieve a wider tonal range in etching. The figure of saint Francis appears in reverse in Barocci's print of the Perdono, dated 1581 (B. XVII.4.4). This print is perhaps a preliminary technical and compositional experiment for that larger, more ambitious print
For more information on the Wilton album see entry for 27.78.1(1-428)
Perhaps one of Barocci's first experiments with the technique of 'stopping out', which allows to achieve a wider tonal range in etching. The figure of saint Francis appears in reverse in Barocci's print of the Perdono, dated 1581 (B. XVII.4.4). This print is perhaps a preliminary technical and compositional experiment for that larger, more ambitious print
Artwork Details
- Title: Wilton album, folio 57a: Saint Francis of Assisi Receiving the Stigmata
- Artist: Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino)
- Date: 1580–81
- Medium: Etching
- Dimensions: 9 1/16 × 5 7/8 in. (23 × 14.9 cm)
- Classification: Prints
- Credit Line: Harris Brisbane Dick Fund, 1927
- Object Number: 27.78.1(195)
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.