Design for a Gold Hook Earring with Diamonds, Rubies, Black Pearls and a Bird
Drawing with a design for a gold hook earring with diamonds, rubies, black pearls and a bird that is part of a collection of 85 drawings with figurative designs for earrings, brooches, pendants and other jewels, possibly real-sized, created with graphite and gouache and heightened with gold inside lithograph frames. These designs are all characteristic of the period between 1870 and 1900, when jewelry design saw a great degree of innovation and creativity in both style and technique. Some of the most important innovations that took place at this time included the setting of diamonds without metal on the back to reinforce the refraction of light on the cut surfaces of the stones, and the use of gold granules and cannetille (scrolls of metal strips) in the creation of fine metal surfaces. (Semi-)precious stones continued to be used in jewelry design at this time, especially with the discovery of diamond mines in South Africa, although alternative techniques, many of them inspired on ancient jewelry, were also common: Enamel in its different application techniques (including champlevé, cloisonné, and low-relief) was particularly popular. In addition to enamel, colored glass was used to add touches of color to the metallic structures that formed the base of the jewels. In general, jewelry design during this period became more complex, and the colors in nature were mimicked by the color of gemstones used for jewelry design: the designs were elaborate and relied in the natural beauty of cabochon gems, curving, and figurative designs with symbolic meaning, typical of the Arts and Crafts movement. Towards the end of the nineteenth century, the Art Nouveau movement created sinuous and organic pieces that moved away from conventional stones and put emphasis on the subtle effects of materials such as glass, horn and enamel. The European Middle Ages and the Renaissance, as well as civilizations of the Mediterranean, and even Japan, became important sources of inspiration for jewelry design at this time.
This design for a gold earring is made up of a gold hook that holds a tiny gold palmette that flanks two squared C-curve motifs that hold a round black pearl between them and a larger palmette of diamonds and a tiny round ruby in the bottom, from which hangs a gold trapeze with a graphite-gray colored bird, possibly to made out of enamel or colored glass. The ends of the gold bar at the bottom of the trapeze where the bird stands are decorated with two vertical strips of square-cut rubies, which hold a gold string with seven hanging teardrop-shaped black pearls. It is possible that the pearls and rubies were replaced by graphite-colored and red-colored glass respectively, a technique that was very popular at the time when these designs were created. The drawing for an earring was created over a lithograph cream frame with a light-brown ear, to show how the earring would look like when worn.
This design for a gold earring is made up of a gold hook that holds a tiny gold palmette that flanks two squared C-curve motifs that hold a round black pearl between them and a larger palmette of diamonds and a tiny round ruby in the bottom, from which hangs a gold trapeze with a graphite-gray colored bird, possibly to made out of enamel or colored glass. The ends of the gold bar at the bottom of the trapeze where the bird stands are decorated with two vertical strips of square-cut rubies, which hold a gold string with seven hanging teardrop-shaped black pearls. It is possible that the pearls and rubies were replaced by graphite-colored and red-colored glass respectively, a technique that was very popular at the time when these designs were created. The drawing for an earring was created over a lithograph cream frame with a light-brown ear, to show how the earring would look like when worn.
Artwork Details
- Title: Design for a Gold Hook Earring with Diamonds, Rubies, Black Pearls and a Bird
- Artist: Anonymous, French, 19th century
- Date: ca. 1870–1900
- Medium: Lithograph, ink, gouache and gold pigment
- Dimensions: Sheet: 9 1/8 × 6 1/4 in. (23.1 × 15.8 cm)
- Classifications: Drawings, Prints, Ornament & Architecture
- Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
- Object Number: 59.564.11
- Curatorial Department: Drawings and Prints
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