Tenplus Veneris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Perspectival depiction of the left part of a palace or temple, referred to as the ‘Tenplus [sic] Veneris’ set in a stylized landscape. The building is characterized by a domed tower over the central bay. The left side of the building is composed of a single floor with two entryways. The entrance directly to the left of the central bay is marked by an avant-corps.
The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation.
Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Teatrum Bordeos' (renamed in later editions as 'Transitorium Caesaris').
This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation.
Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Teatrum Bordeos' (renamed in later editions as 'Transitorium Caesaris').
This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Artwork Details
- Title: Tenplus Veneris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
- Artist: Formerly attributed to Monogrammist G.A. with the Caltrop (Italian, 1530–1540)
- Date: Plate ca. 1530–1550
- Medium: Engraving
- Dimensions: Plate: 5 1/4 × 3 15/16 in. (13.4 × 10 cm) [plate edge not entirely straight, measurements vary between 9.9 and 10cm]
- Classifications: Albums, Prints, Ornament & Architecture
- Credit Line: Harris Brisbane Dick Fund, 1926
- Object Number: 26.50.1(112a)
- Curatorial Department: Drawings and Prints
More Artwork
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Anonymous, Italian, 16th century
Monogrammist G.A. with the Caltrop
Plates ca. 1530–50
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Andrea Mantegna
Before 1475
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Multiple artists/makers
December 1499
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