Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood
Four small scenes make gentle fun of various aspects of riding. In "How to Stop Your Horse at pleasure," a man rides full tilt into a barn and places his feet on the door frame. In "Geoffrey Gombado" (as pseudonym used by the artist Bunbury), a gouty man sits by a table grumpily holding a crutch while eyeing his boots. In "How to Ride up Hyde Park," a man gallops to the left and turns his head to grin at the viewer. Finally, in "A Bit of Blood, " a man in a red coat and carrying a cudgel and rides near a signpost lettered "The Bridle Way. Horselydown," with a coastal view at right.
Artwork Details
- Title: Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood
- Series/Portfolio: Academy for Grown Horsemen
- Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland)
- Date: 1787 or later
- Medium: Hand-colored etching
- Dimensions: Each image: 5 5/16 × 4 3/16 in. (13.5 × 10.7 cm)
Sheet: 15 3/8 × 10 1/2 in. (39 × 26.6 cm) - Classification: Prints
- Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund and Harris Brisbane Dick Fund, by Exchange, 1970
- Object Number: 1970.541.202
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.