Frankenthaler’s Western Dream presents a lyrical and hallucinatory suggestion of landscape, sky, breeze, heat, and turf, with hints of flora and fauna scattered throughout. The sights and sensations seem to shimmer, coming into being and quickly fading away—an effect of the artist’s innovative technique of staining the canvas. Many other painters, such as Morris Louis, followed her lead in this approach, which advanced the generational concern for flatness in painting as essential to the medium. Louis famously described Frankenthaler’s work as "the bridge between [Jackson] Pollock and what is possible."
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Artwork Details
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Title:Western Dream
Artist:Helen Frankenthaler (American, New York 1928–2011 Darien, Connecticut)
Date:1957
Medium:Oil on unsized, unprimed canvas
Dimensions:70 × 86 in. (177.8 × 218.4 cm)
Classification:Paintings
Credit Line:Lent by the Helen Frankenthaler Foundation
Accession Number:L.2022.5
the artist (1957–d. 2011; her estate, 2011–13); Helen Frankenthaler Foundation, New York (from 2013; on loan from 2018 to MMA)
New York. Tibor de Nagy Gallery. "Helen Frankenthaler," January 6–22, 1958.
Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. "The Fifties: Aspects of Painting in New York," May 22–September 21, 1980, no. 46.
New York. Solomon R. Guggenheim Museum. "After 'Mountains and Sea': Frankenthaler 1956–1959," January 16–May 3, 1998, no. 6 (lent by a private collection).
Guggenheim Museum Bilbao. "After 'Mountains and Sea': Frankenthaler 1956–1959," June 6–October 4, 1998, no. 6.
Berlin. Deutsche Guggenheim. "After 'Mountains and Sea': Frankenthaler 1956–1959," October 15, 1998–January 31, 1999, no. 6.
New York. Knoedler & Company. "Frankenthaler at Eighty: Six Decades," November 6, 2008–January 10, 2009, unnumbered cat. (p. 15).
Denver Art Museum. "Women of Abstract Expressionism," June 12–September 25, 2016, no. 18.
Charlotte, N.C. Mint Museum. "Women of Abstract Expressionism," October 22, 2016–January 22, 2017, no. 18.
Palm Springs, Calif. Palm Springs Art Museum. "Women of Abstract Expressionism," February 18–May 28, 2017, no. 18.
Sonya Rudikoff. "Art Chronicle: Space in Abstract Painting." Partisan Review 25 (Spring 1958), p. 302.
Barbara Rose. Frankenthaler. New York, 1972, pl. 55.
John Elderfield. Frankenthaler. New York, 1989, pp. 116, 125, 141, 144, ill. p. 114 (color).
Michael Klein. "Frankenthaler: Mountains and Sea." artnet.com/magazineus. March 2, 1998, ill. (color).
Margaret Moorman. "Up Now: Helen Frankenthaler." Art News 97 (March 1998), p. 171.
"Helen Frankenthaler at Eighty." New Yorker (December 1, 2008), p. 16.
Karen Rosenberg. "Upper East Side: Linger (Quietly) for a While." New York Times (November 13, 2008), p. C29.
Karen Wilkin. Frankenthaler at Eighty: Six Decades. Exh. cat., Knoedler & Company. New York, 2008, pp. 8–9, ill. p. 15 (color).
James Panero. "Gallery Chronicle." New Criterion 27 (January 2009), p. 52.
Daniel Marcus. "Helen Frankenthaler." Artforum 51 (Summer 2013), p. 355.
Roberta Smith. "A Young Colorist, Antennas Aquiver." New York Times (March 21, 2013), p. C29.
John Elderfield. Painted on 21st Street: Helen Frankenthaler from 1950–1959. Exh. cat., Gagosian Gallery. New York, 2013, pp. 12, 21, 26, ill. p. 123 (color).
Christian Allaire. "Origin Stories: Art Pop." National Post (Toronto) (March 8, 2014), p. WP6.
Shepherd Steiner. "Occupy 21st Street! Helen Frankenthaler at Gagosian." Afterall: A Journal of Art, Context and Enquiry no. 35 (Spring 2014), p. 15.
"Artists’ Museum Shows and Public Installations, USA." Gagosian Quarterly (Summer 2016), ill. p. 127 (color).
Ariella Budick. "The Village Gang’s All Here." Financial Times (December 29, 2018), p. 19.
Julia Bryan-Wilson in Kelly Baum and Randall Griffey. Alice Neel: People Come First. Exh. cat., The Metropolitan Museum of Art. New York, 2021, p. 111, fig. 76.
Alexander Nemerov. Fierce Poise: Helen Frankenthaler and 1950s New York. 2021, pp. 158–59.
Helen Frankenthaler (American, New York 1928–2011 Darien, Connecticut)
1974
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